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Metal Print : Emblema XLVII Lupus ab Oriente Canis ab Occidente
Metal Prints From Liszt Collection
Emblema XLVII Lupus ab Oriente Canis ab Occidente
Emblema XLVII: Lupus ab Oriente and Canis ab Occidente venientes se invicem momorderunt. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accurate accommodata, figuris cupro appositissime incisa, ingeniosissima emblemata, hisque confines, and ad rem egregie facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568?-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 47, located on page 139
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18508004
© Liszt Collection
1568 1622 1593 1650 1687 Accommodata Accurate Ad Rem Appositissimè Chymicum Doctissimaque Item Egregiè Epigrammata Facientes Figuris Cupro Hisque Confines Illustratum Incisa Ingeniosissima Emblemata Intellectui Located Maier Matthaeus Merian Michael Michaelis Majeri Oculis Et Scrutinium Secretioris Naturae Secretorum Sententias Oriente
16"x20" (51x41cm) Metal Print
Experience the captivating allure of the Emblema XLVII Lupus ab Oriente Canis print from the Liszt Collection, now available as a stunning Metal Print from Media Storehouse. This intriguing emblem, translated as "Lupus (Wolf) from the East and Canis (Dog) from the West met and fought each other," is a symbol of the alchemical process, representing the struggle between opposing forces in the quest for transformation. The rich, intricate details of this historical image are brought to life with our premium Metal Print technology, creating a vibrant and durable piece that adds depth and sophistication to any space. Embrace the mystery and beauty of this alchemical masterpiece in your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print from the Liszt Collection showcases Emblema XLVII, a stunning etching titled "Lupus ab Oriente Canis ab Occidente". Created by Michael Maier and Matthaeus Merian in 1687, this emblem depicts a powerful encounter between a wolf and a dog. The intricate details of the etching are brought to life through precise copper engravings, capturing the essence of nature's secrets. The image portrays an intense moment as the lupine creature from the East confronts its canine counterpart from the West. In their fierce confrontation, they engage in a biting struggle that symbolizes primal instincts clashing with domestication. This emblem serves as an allegory for opposing forces or ideologies coming into conflict. Maier's work is not only visually striking but also intellectually stimulating. Accompanied by thought-provoking sentiments and expertly crafted epigrams, this piece invites viewers to contemplate deeper meanings hidden within its imagery. Displayed on page 139 of Maier's book "Secretioris naturae secretorum scrutinium chymicum" this particular emblem holds significance within his larger body of work exploring natural philosophy and alchemy. Its inclusion in this collection highlights its importance as both an artistic masterpiece and a profound philosophical statement. As we gaze upon this remarkable print, we are transported back in time to witness these symbolic creatures locked in battle—a testament to humanity's eternal struggle with duality and conflicting forces.
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