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Metal Print : Mengs - Infant Christ and St Anthony of Padua K080008
Metal Prints from Historic England
Mengs - Infant Christ and St Anthony of Padua K080008
APSLEY HOUSE, London. " The Infant Christ Appearing to St Anthony of Padua" by Anton Raphael MENGS (1728-79). After treatment. WM 1598-1948
Historic England is the public body that champions and protects England's historic places
Media ID 1721013
© Historic England
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features "The Infant Christ Appearing to St. Anthony of Padua" by renowned artist Anton Raphael Mengs, as preserved at Apsley House in London. Each Metal Print is meticulously crafted using high-quality materials and advanced printing techniques to deliver stunning vibrancy and detail. The sleek, modern metal surface not only enhances the visual impact but also provides a durable and waterproof finish. Experience the fusion of history and artistry with this captivating addition to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning painting, titled "The Infant Christ Appearing to St. Anthony of Padua," is a masterpiece by the German artist Anton Raphael Mengs (1728-1779), currently housed at Apsley House in London. The artwork was created in the late 18th century and is a testament to Mengs' exceptional talent and his deep understanding of religious themes. The painting depicts the moment when St. Anthony of Padua, a renowned Franciscan friar and Doctor of the Church, encounters the infant Christ. According to legend, St. Anthony was praying in a forest when the Christ Child appeared before him, holding a lily in one hand and a book in the other. The infant reached out to touch St. Anthony's tongue, which had miraculously grown long and was extended in reverence. Mengs masterfully captures the emotional intensity of this spiritual encounter. The infant Christ, with his serene expression and outstretched hand, exudes an aura of divine grace. St. Anthony, with his eyes closed in devotion, is deeply moved by the encounter, his expression conveying a sense of profound reverence and awe. The use of soft, muted colors and delicate brushwork adds to the painting's ethereal quality, creating a sense of otherworldliness and transcendence. This artwork is a testament to Mengs' exceptional skill as a painter and his deep understanding of religious themes. It is a beautiful and moving representation of the spiritual connection between Christ and St. Anthony, and a reminder of the power of faith and devotion. The painting's preservation and display at Apsley House is a testament to its enduring significance and its place in the history of art.
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