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Metal Print : Young Man holding a Skull (Vanitas), 1627. Artist: Hals, Frans I (1581-1666)
Metal Prints from Heritage Images
Young Man holding a Skull (Vanitas), 1627. Artist: Hals, Frans I (1581-1666)
Young Man holding a Skull (Vanitas), 1627. Found in the collection of the National Gallery, London
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Media ID 14898570
© Fine Art Images
Abundance Affluence Barock Cornucopia Death Symbols Depts Eternity Frans I 1581 1666 Futility Hals Helmet Life And Death Luxuriancy Memento Mori Money Opulence Plume Prosperity Riche Riches Richness Sinful Skull Stinginess Transience Vain Vanitas Vanity Wealth Wealthiness
16"x20" (51x41cm) Metal Print
Experience the haunting beauty of Old Masters art with our Media Storehouse Metal Prints. This captivating piece, "Young Man holding a Skull (Vanitas)" by Frans Hals (1581-1666), originally housed in the National Gallery, London, invites introspection. The young man's gaze meets yours as he contemplates the transience of life, holding a skull as a reminder of mortality. Our high-quality metal prints offer vibrant colors, rich textures, and a sleek, modern design, making this thought-provoking artwork a stunning addition to any space. Embrace the timeless allure of art and the intrigue of vanitas paintings with our Media Storehouse Metal Print of "Young Man holding a Skull (Vanitas)" by Frans Hals.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this portrait titled "Young Man holding a Skull (Vanitas)" painted by Frans Hals in 1627, we are confronted with the timeless theme of life's transience and the futility of earthly pursuits. The young man, adorned in opulent attire including a plume hat and helmet, represents wealth and prosperity. However, his grip on the skull serves as a stark reminder that even abundance cannot shield us from death's inevitable grasp. Hals masterfully captures the essence of vanitas, an artistic genre popular during the Baroque period which sought to remind viewers of life's brevity and the emptiness of material possessions. Through symbolism such as books representing knowledge and cornucopia symbolizing abundance, he invites contemplation on our own mortality. The rich colors and intricate details bring depth to this allegorical composition. The fine artistry is evident in every stroke of oil on canvas, showcasing Hals' skillful technique. This painting not only reflects Dutch society at that time but also transcends its historical context to speak to universal themes. Displayed within the esteemed collection of London's National Gallery, this artwork continues to captivate audiences today. It serves as a memento mori—a reminder that regardless of one's wealth or status—life is fleeting and ultimately vanity prevails over worldly riches. As we gaze upon this masterpiece, we are compelled to ponder our own existence and contemplate what truly matters beyond superficial wealth or transient pleasures.
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