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Metal Print : Virgin Adoring the Child, between c.1460 and c.1480. Creator: Circle of Mino da Fiesole

Virgin Adoring the Child, between c.1460 and c.1480. Creator: Circle of Mino da Fiesole



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Virgin Adoring the Child, between c.1460 and c.1480. Creator: Circle of Mino da Fiesole

Virgin Adoring the Child, between c.1460 and c.1480

Heritage Images features heritage image collections

Media ID 36350750

© Heritage Art/Heritage Images

1460s 1480s Adoration Life Of Christ Madonna And Child Marble Relief Infancy Infant Virgin And Child


16"x20" (51x41cm) Metal Print

Experience the timeless beauty of Renaissance art with our Media Storehouse Metal Prints. Featuring the exquisite work "Virgin Adoring the Child," attributed to the Circle of Mino da Fiesole, c.1460-1480, this captivating image showcases the tenderness and devotion between the Virgin Mary and the infant Jesus. Each Metal Print is meticulously crafted using high-quality materials and state-of-the-art printing techniques to bring out the rich colors and intricate details of this masterpiece. Transform your space into a gallery with this stunning addition to your home or office decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Sculpture

> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Fiesole

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Marble reliefs


EDITORS COMMENTS
This exquisite 15th century marble relief, titled "Virgin Adoring the Child," is a masterpiece from the Circle of Mino da Fiesole, a renowned Florentine sculptor active between c.1460 and c.1480. The work showcases the artist's exceptional skill in capturing the delicate interplay between the Madonna and the infant Christ. The Virgin Mary, with a serene expression, tenderly gazes upon her baby son, who reaches out towards her with a gesture of love and affection. The intricate details of their faces, clothing, and posture reveal the deep connection between mother and child, highlighting the profound themes of love, nurturing, and devotion central to Christian beliefs. The relief, which dates back to the fifteenth century, is a testament to the artistic heritage of Europe, specifically Italy. Originally part of a larger architectural ornamentation, this piece now stands as a significant work of art in its own right. The use of marble as the medium adds to the sculpture's beauty, as the cool, smooth surface perfectly complements the intricate details of the relief. The "Virgin Adoring the Child" is currently housed at the Los Angeles County Museum of Art (LACMA), where it continues to captivate visitors and art enthusiasts alike. This sculpture not only serves as a reminder of the rich artistic history of Europe but also invites us to reflect on the universal themes of motherhood, childhood, and the divine.

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