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Metal Print : View of the Serebryanichesky Bath Houses in Moscow, 1796. Artist: Barthe, Gerard, de la (active 1787-1810)
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View of the Serebryanichesky Bath Houses in Moscow, 1796. Artist: Barthe, Gerard, de la (active 1787-1810)
View of the Serebryanichesky Bath Houses in Moscow, 1796. Found in the collection of the State Russian Museum, St. Petersburg
Heritage Images features heritage image collections
Media ID 14894130
© Fine Art Images
Banya Barthe Bath Bathhouse Bathing Bathing Place Beauty Country Side Elixir Of Life Folk Medicine French Painting Hot Spring Joie De Vivre Nude Women Russian Bath Sauna Steam Bath Thermae Tradition
16"x24" (61x41cm) Metal Print
Experience the rich history of Moscow with our stunning Metal Print of "View of the Serebryanichesky Bath Houses in Moscow, 1796" by Gerard de la Barthe. This exquisite artwork, originally housed in the State Russian Museum in St. Petersburg, transports you back in time to the grandeur of 18th century Russia. The intricate details of the bathhouses and the tranquil water reflecting the architectural masterpieces are sure to captivate your senses. Our high-quality Metal Prints offer vibrant colors and exceptional clarity, making this a perfect addition to any home or office space. Bring history to life with the beauty of art and the durability of metal.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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View of the Serebryanichesky Bath Houses in Moscow, 1796
EDITORS COMMENTS
is a captivating print that transports us back to the late 18th century. Painted by Gerard de la Barthe, this exquisite piece of neoclassical art captures both the beauty and health benefits associated with bathing traditions. The scene depicts a serene countryside setting along the Yauza River, where these iconic Russian bathhouses stand proudly. The artist's attention to detail allows us to witness the joyous atmosphere as nude women engage in traditional bathing rituals. Their carefree expressions and graceful movements reflect not only their appreciation for physical well-being but also their celebration of life itself. This painting serves as a testament to the therapeutic qualities of hot springs and saunas, which have been an integral part of folk medicine for centuries. It highlights how communal bathing spaces like these were not just places for cleansing but also socializing and rejuvenation. The artist's use of vibrant colors brings warmth and vitality to this idyllic scene, evoking a sense of joie de vivre. As we admire this fine artwork from the State Russian Museum in St. Petersburg, we are reminded that it is more than just an aesthetically pleasing image; it represents a cultural tradition deeply rooted in Russia's history. Through "View of the Serebryanichesky Bath Houses". Gerard de la Barthe immortalizes an essential aspect of Russian heritage while simultaneously showcasing his mastery as a French painter during this period
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