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Metal Print : Total war: What Old Mirrors They Make Nowadays, 1868 (1956)
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Total war: What Old Mirrors They Make Nowadays, 1868 (1956)
Total war: What Old Mirrors They Make Nowadays, 1868 (1956). A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential, by Readers Union, the Grosvenor Press, London, 1956
Heritage Images features heritage image collections
Media ID 14949743
© The Print Collector / Heritage-Images
Daumier Disappointed Disappointment Distorted Distortion Honore Honore Daumier Honore Victorin Honore Victorin Daumier Mirror Print Collector11 Reflection Vanity Satirical
16"x20" (51x41cm) Metal Print
Bring the captivating history of yesteryears into your modern space with Media Storehouse Metal Prints. This exquisite piece, titled "Total war: What Old Mirrors They Make Nowadays, 1868 (1956)" from Heritage Images, is a captivating image taken from "Ideas," a volume about the origin and early history of various things. The metal print showcases the intriguing contrast between the past and present, with its vintage mirror reflecting a battle scene. The high-quality metal print not only adds an artistic touch to your walls but also serves as a thought-provoking conversation starter. Order now and let this timeless image inspire you every day.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Total war: What Old Mirrors They Make Nowadays, 1868 (1956)" takes us back to the 19th century in France. This satirical masterpiece by Honore Victorin Daumier reflects upon the concept of vanity and disappointment through a distorted mirror. In this thought-provoking image, we see a female figure gazing into a mirror with an expression of utter dismay on her face. The reflection she sees is not one of beauty or satisfaction but rather a grotesque distortion. Daumier's sharp wit and keen observation are evident as he uses this scene to comment on societal expectations placed upon women during that era. The artist cleverly captures the essence of French society at the time, highlighting how appearances were often prioritized over substance. Through his satire, Daumier challenges these shallow values and questions whether true fulfillment can be found solely in external beauty. As we delve into this monochrome world from the past, it becomes apparent that "Total war: What Old Mirrors They Make Nowadays" serves as both a historical document and a timeless reminder for us today. It prompts us to reflect on our own perceptions of self-worth and encourages us to seek genuine contentment beyond superficial ideals. This remarkable print from Ideas offers viewers an opportunity to engage with history while contemplating universal themes such as identity, disillusionment, and personal growth.
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