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Metal Print : The Times, plate I, c1762 (1895)
Metal Prints From Heritage Images
The Times, plate I, c1762 (1895)
The Times, plate I, c1762 (1895). A representative of King George III fights a fire (the Seven Years War), which is burning down houses representing Germany and France, whilst William Pitt is presented as an idol on stilts, worshipped by the aldermen of London and the London mob - he fans the flames with bellows; a house on left (representing England) sinks into decrepitude. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895
Heritage Images features heritage image collections
Media ID 14947145
© Print Collector / Heritage-Images
Bellows Chatham Destruction Earl Of Earl Of Chatham Emergency Services Fire Brigade Fire Engine Firefighting George Iii Hogarth Hose Inn Sign King George Iii King Of Great Britain Pitt Prime Minister Print Collector9 Seven Years War 1756 1763 Trade Sign W Hogarth William 1st Earl Of Chatham William Hogarth William Pitt William Pitt The Elder Worship Worshipping
16"x20" (51x41cm) Metal Print
Experience history come to life with our Media Storehouse Metal Prints featuring The Times, plate I, c1762 (1895) by Unknown, William Hogarth. This iconic image depicts King George III in action, battling a fire symbolizing the Seven Years War between France and Germany. The intricate details and vibrant colors of this historic print are beautifully preserved in our high-quality metal print. Add a touch of history and art to your home or office with this unique and captivating piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Times, plate I, c1762 (1895) captures a powerful allegory of political turmoil and the ravages of war in 18th century Europe. In this intricate print by William Hogarth, we witness a dramatic scene unfold before our eyes. Representing King George III, a determined figure fights valiantly against the flames of destruction engulfing houses symbolizing Germany and France during the Seven Years War. Meanwhile, towering above all is William Pitt, depicted as an idol on stilts. Adored by both London's aldermen and its mob alike, he fans the flames with bellows. The composition holds deeper meaning as an English house sinks into decrepitude on the left side – a poignant reflection of England's own struggles amidst international conflict. The print serves as a visual commentary on Britain's role in European affairs during that time. Published in The Magazine of Art in 1895 by Cassell and Company Limited, this artwork showcases Hogarth's mastery at capturing complex narratives through his detailed engravings. It encapsulates not only historical events but also political tensions and societal attitudes prevalent during that era. Through its rich symbolism and meticulous execution, this print invites viewers to contemplate themes such as power dynamics, religious fervor intertwined with politics, and the destructive nature of war itself. A true testament to Hogarth's artistic prowess and his ability to provoke thought through visual storytelling.
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