Metal Print : Stocks Are Down- Heigh-Ho!!, August 10, 1799. August 10, 1799

Resolution may be reduced at this size (116 DPI)

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Metal Prints From Heritage Images

Stocks Are Down- Heigh-Ho!!, August 10, 1799. August 10, 1799

Stocks Are Down- Heigh-Ho!!, August 10, 1799

Heritage Images features heritage image collections

Media ID 19986692

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Disappointed Disappointment George Moutard George Moutard Woodward Investment Investor Overweight R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Stocks And Shares Thomas Rowlandson Woodward Woodward George Moutard Hand Tinted

16"x20" (51x41cm) Metal Print

Add historical depth to your home or office decor with our stunning Metal Prints featuring Thomas Rowlandson's iconic artwork, "Stocks Are Down- Heigh-Ho!!, August 10, 1799." This satirical print from Heritage Images, originally published on August 10, 1799, captures the mood of the stock market crash during the late 18th century. Our high-quality Metal Prints bring the intricate details and vibrant colors of this classic piece to life, creating a captivating conversation starter. With a sleek, modern design and durable, rust-resistant metal material, these prints are sure to impress and add character to any space. Experience the fusion of history and art with our Metal Prints from Media Storehouse.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George Moutard Woodward

> Arts > Artists > W > Thomas Woodward

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

Stocks Are Down- Heigh-Ho!!, August 10,1799

EDITORS COMMENTS
is a captivating and satirical print by Thomas Rowlandson that transports us back to the tumultuous financial landscape of 18th century Britain. This hand-colored etching depicts a scene filled with disappointment and frustration as investors react to the plummeting stock market. The vibrant colors bring to life a group of overweight and disgruntled individuals, their faces reflecting their shattered hopes. The artist's attention to detail captures the essence of this moment in history, showcasing both the physical weight of these disappointed investors and the heavy burden they carry due to their failed investments. Rowlandson's clever composition highlights the absurdity of human behavior during times of financial crisis. With exaggerated features and comical expressions, he emphasizes how greed can blind even the most rational minds. As viewers, we are invited to reflect on our own relationship with money and how it influences our decisions. This print serves as a reminder that throughout history, economic downturns have affected people from all walks of life. It also showcases Rowlandson's skill in using art as social commentary, shedding light on timeless themes such as disappointment, finance, investment, and human folly. Displayed at The Metropolitan Museum of Art (the Met), this piece continues to captivate audiences centuries later with its intricate details and thought-provoking message about the fragility of wealth.

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