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Metal Print : St Louis (1274-1297), Bishop of Toulouse, 1849

St Louis (1274-1297), Bishop of Toulouse, 1849



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St Louis (1274-1297), Bishop of Toulouse, 1849

St Louis (1274-1297), Bishop of Toulouse, 1849. Original found in the collection of Mr Quedeville, Paris. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

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Media ID 14936914

© The Print Collector / Heritage-Images

A Rivaud Bishop Bondone Crook Ferdinand Ferdinand Sere Giotto Giotto Di Giotto Di Bondone Halo Haute Garonne Lacroix Louis Midi Pyrenees Paul Paul Lacroix Rivaud Sere St Louis Toulouse Thirteenth Century


16"x24" (61x41cm) Metal Print

Bring history to life with Media Storehouse's Metal Prints. This stunning image captures Saint Louis, Bishop of Toulouse (1274-1297), as depicted in an 1849 reproduction from Le Moyen Age et la Renaissance by Paul Lacroix. Each Metal Print is meticulously crafted with a vibrant, high-definition image of this historical figure, transferred onto a durable metal surface for a unique, modern twist on traditional art. The sleek, contemporary design adds a touch of sophistication to any space, making it an excellent addition to your home or office decor. Order now and step back in time with this captivating piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > G > Giotto di Bondone Giotto di Bondone

> Arts > Artists > Giotto > Giotto di Bondone

> Arts > Artists > Giotto

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > France > Canton > Garonne

> Europe > France > Canton > Pyrenees


EDITORS COMMENTS
This print captures the dignified presence of St Louis (1274-1297), Bishop of Toulouse, in 1849. The original artwork was discovered in the collection of Mr Quedeville, Paris, and has been reproduced here from Le Moyen Age et la Renaissance by Paul Lacroix, Ferdinand Sere, and A Rivaud. In this full-length portrait, St Louis stands tall with an air of authority befitting his religious stature. He is depicted wearing traditional bishop attire - a flowing robe adorned with intricate patterns and a distinctive hat that signifies his position within the church hierarchy. The attention to detail in his clothing showcases the craftsmanship prevalent during the 13th century. A halo surrounds St Louis' head symbolizing his sanctity as a saintly figure revered by many. His expression exudes serenity and devotion to his faith, reflecting the deep spirituality that defined him as a man of God. The monochrome aesthetic adds a timeless quality to this nineteenth-century engraving while highlighting the contrast between light and shadow. It allows us to appreciate every delicate line meticulously etched by Giotto di Bondone or one of his contemporaries. This portrayal serves as a testament to both artistic skill and religious reverence during this period in France's history. As we gaze upon this print today, we are reminded not only of St Louis' significant contributions but also of the enduring power that art holds in preserving our heritage for generations to come.

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