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Metal Print : Shamisen Player, Edo period, late 18th-early 19th century. Creator: Kitagawa Utamaro II

Shamisen Player, Edo period, late 18th-early 19th century. Creator: Kitagawa Utamaro II



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Shamisen Player, Edo period, late 18th-early 19th century. Creator: Kitagawa Utamaro II

Shamisen Player, Edo period, late 18th-early 19th century

Heritage Images features heritage image collections

Media ID 23861827

© Heritage Art/Heritage Images

Arthur M Sackler Gallery Freer Gallery Of Art Kakejiku Kakemono Kitagawa Utamaro Samisen Scroll Shamisen Utamaro Kitagawa Playing An Instrument


16"x24" (61x41cm) Metal Print

Experience the rich history and culture of Japan's Edo period with our stunning Metal Print of "Shamisen Player" by renowned artist Kitagawa Utamaro II. This exquisite piece, featuring a captivating image of a shamisen player from Heritage Images, is brought to life through our premium Metal Print technology. The vibrant colors and intricate details pop against the sleek, metallic surface, making this a truly unique and eye-catching addition to any home or office. Preserve the beauty of traditional Japanese art with a modern twist, and enjoy the timeless elegance of this iconic image for years to come.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Utamaro Kitagawa

> Arts > Artists > U > Kitagawa Utamaro

> Arts > Music

> Asia > Japan > Related Images


EDITORS COMMENTS
This print showcases a mesmerizing piece of art from the late 18th to early 19th century Edo period in Japan. Created by the talented artist Kitagawa Utamaro II, it depicts a female Shamisen player with utmost grace and elegance. The artwork, rendered using color ink and gold on silk panel, beautifully captures the essence of this traditional Japanese musical instrument. The woman's intricate hairstyle and delicate facial features are meticulously portrayed, reflecting the attention to detail characteristic of Utamaro's work. Her focused expression suggests her deep connection with the music she is playing on her Shamisen, an instrument known for its soulful melodies. Displayed in a kakejiku or kakemono style scroll format, this artwork transports viewers back to a time when music played an integral role in Japanese culture. It serves as a testament to both the artistic skill of Utamaro II and the rich heritage of Japan during that era. This remarkable piece can be found at the Arthur M Sackler Gallery within the Smithsonian Institution's Freer Gallery of Art. As an educational institution dedicated to preserving and showcasing world-class art, it offers visitors an opportunity to appreciate not only this exquisite painting but also gain insights into Japan's historical significance through visual arts.

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