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Metal Print : Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38

Returning Sails at Gyotoku (Gyotoku no kihan), from the series 'Eight Views in the... c. 1837 / 38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series 'Eight Views in the... c. 1837 / 38



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Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38

Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", c. 1837/38

Heritage Images features heritage image collections

Media ID 36212209

© Heritage Art/Heritage Images

Calligraphy Fisherfolk Fisherman Fishermen Fishing Fishing Boat Fishing Boats Oban Return Returning Sailing Boats Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige


16"x24" (61x41cm) Metal Print

Experience the timeless beauty of Japanese art with our Media Storehouse Metal Print of "Returning Sails at Gyotoku (Gyotoku no kihan)" by Ando Hiroshige. This iconic image is part of the renowned series "Eight Views in the Environs of Edo," created in the mid-19th century. Witness the breathtaking scene of sailboats returning to port against the backdrop of the picturesque Gyotoku village, expertly captured in Hiroshige's masterful brushstrokes. Our high-quality Metal Print brings out the vibrant colors and intricate details of this classic woodblock print, making it a stunning addition to any home or office décor. Embrace the rich history and artistry of this exquisite piece, now available in a contemporary and durable format.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Hiroshige Ando

> Arts > Artists > Ando Hiroshige

> Arts > Artists > H > Ando Hiroshige

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > U > Hiroshige Utagawa

> Asia > Japan > Chiba

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
Returning Sails at Gyotoku" is a captivating woodblock print from the renowned series "Eight Views in the Environs of Edo" created by Ando Hiroshige between 1837 and 1838. This masterpiece, also known as "Gyotoku no kihan," showcases the picturesque scene of fishermen returning to the village of Gyotoku in Chiba, Japan, after a successful day at sea. The print, set against the backdrop of the Oban format, brilliantly captures the essence of the Edo Period (1603-1868) and the Tokugawa Shogunate era. The artist's meticulous attention to detail is evident in the intricate depiction of the boats, their sails billowing in the wind, and the fisherfolk skillfully navigating the shallow waters. The vibrant colors and the contrast between the deep blues of the sea and the earthy tones of the landscape create a stunning visual effect. The calligraphy in the upper left corner, written in traditional Japanese script, adds an artistic touch to the print and further emphasizes its cultural significance. The scene is a testament to the daily life and livelihood of the fishermen during this period, providing a valuable glimpse into Japan's rich history. This woodblock print is a prime example of Hiroshige's exceptional talent and his contribution to the Ukiyo-e artistic school. It is a must-see for anyone interested in Asian art, particularly those with a focus on Japanese heritage and the 19th century. The Art Institute of Chicago is fortunate to have this magnificent piece in its collection, allowing us to appreciate the beauty and historical significance of this masterpiece.

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