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Metal Print : Prima Parte di Architetture, e Prospettive (First Edition, Third Issue), dated 1743 but printed 1747 Creator: Giovanni Battista Piranesi
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Prima Parte di Architetture, e Prospettive (First Edition, Third Issue), dated 1743 but printed 1747 Creator: Giovanni Battista Piranesi
Prima Parte di Architetture, e Prospettive (First Edition, Third Issue), dated 1743 but printed 1747.
First part of Architecture and Perspectives
Heritage Images features heritage image collections
Media ID 36290666
© Heritage Art/Heritage Images
Artefacts Artifacts Bound Bound Volume Giovanni Battista Piranesi Piranesi Giovanni Battista Volume
16"x20" (51x41cm) Metal Print
Experience the timeless beauty of history with our Media Storehouse Metal Prints featuring the iconic work "Prima Parte di Architetture, e Prospettive" (First Edition, Third Issue) by Giovanni Battista Piranesi. Dated 1743 but printed in 1747, this masterpiece showcases Piranesi's intricate and captivating architectural designs. Our high-quality metal prints bring out the rich details and textures of this classic work, preserving its historical significance for generations to come. Add a touch of art and history to your home or office with this stunning and unique decor piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Prima Parte di Architetture, e Prospettive,
EDITORS COMMENTS
or "First Part of Architecture and Perspectives," is a seminal work by the renowned Italian artist and printmaker, Giovanni Battista Piranesi. This first edition, third issue of the publication was originally dated 1743 but was actually printed in 1747. The title page features a beautiful title plate with the artist's name prominently displayed, while the dedication page bears the reset text with the initials "R" and the number "iii." The volume contains 18 plates, with states ii, r2, 3, 5, and 12 being the most notable. These plates showcase Piranesi's mastery of architectural and perspective drawing, with intricate depictions of ancient ruins and fantastical architectural scenes. The monochrome, greyscale images, reminiscent of the 18th century, have a timeless quality that continues to captivate viewers today. The "First Part of Architecture and Perspectives" is an essential work in the history of art, particularly in the realm of architectural illustration. Piranesi's innovative approach to perspective and his ability to create dramatic, evocative images of ruins and imaginary structures have influenced generations of artists and architects. This bound volume, now a precious artefact, is a testament to the rich cultural heritage of the 18th century and the enduring allure of Piranesi's work. It is a must-see for anyone interested in art, architecture, and the history of visual representation. Whether displayed in an art gallery or art center, this Piranesi masterpiece continues to captivate and inspire, inviting us to explore the depths of our collective artistic and architectural past.
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