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Metal Print : Portrait of Sara de Bie, 1638-1651. Creator: Jacob Adriaensz. Backer

Portrait of Sara de Bie, 1638-1651. Creator: Jacob Adriaensz. Backer



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Portrait of Sara de Bie, 1638-1651. Creator: Jacob Adriaensz. Backer

Portrait of Sara de Bie, 1638-1651. Other Title(s): Sara de Bie, Jan Lutma's second Wife

Heritage Images features heritage image collections

Media ID 36347471

© Heritage Art/Heritage Images

Affluence Backer Backer Jacob Backer Jacob Adriaensz Bakker Jakob Adriaensz Finger Ring Half Length Jacob Adriaensz Jacob Adriaensz Backer Jakob Adriaensz Bakker Janus Lutma Length Lutma Janus Ring Wealth Wealthy Wives Dutch Golden Age Golden Age Head Dress Jan Lutma Johannes Lutma


16"x20" (51x41cm) Metal Print

Bring timeless beauty into your home with our Media Storehouse Metal Prints. Featuring the captivating Portrait of Sara de Bie, created by the renowned artist Jacob Adriaensz. Backer in 1638-1651. This exquisite artwork, showcasing Sara de Bie, Jan Lutma's second wife, is a true masterpiece from the Dutch Golden Age. Our high-quality Metal Prints not only preserve the intricate details and vibrant colors of this Heritage Images image but also provide a contemporary and stylish presentation with a sleek, aluminum finish. Elevate your decor and add a touch of history to your space with this stunning portrait Metal Print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Golden Mouse

> Arts > Art Movements > Baroque

> Arts > Artists > B > Jacob de Backer

> Arts > Artists > J > Jacob Jacobs

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Netherlands > Paintings

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images


EDITORS COMMENTS
This portrait, titled "Portrait of Sara de Bie" or "Sara de Bie, Jan Lutma's Second Wife," was painted by the renowned Dutch artist Jacob Adriaensz. Backer (1608-1651) around the year 1638-1651. Sara de Bie, the subject of the painting, is depicted in a half-length format, dressed in the height of Baroque fashion. Her elegant headdress and intricately designed jewelry, including a prominent finger ring, signify her affluence and high social standing. The painting is an excellent representation of the Dutch Golden Age, a period of cultural and artistic flourishing in the Netherlands. The use of rich colors and oil on panel technique adds to the painting's vibrancy and depth. Sara's expression conveys a sense of confidence and composure, reflecting the historical context of the time when marriage alliances and social status were crucial factors in Dutch society. Jacob Adriaensz. Backer was a prominent painter of the Low Countries, known for his portraits and genre scenes. He was influenced by artists such as Johannes Lutma the Elder (Jan Lutma) and Janus Lutma, who were also active during the Dutch Golden Age. The painting is now part of the vast collection of the Rijksmuseum in Amsterdam, a testament to the enduring legacy of Dutch heritage art and the historical significance of the 17th century in European art history.

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