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Metal Print : Peafowl and Phoenixes, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to
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Peafowl and Phoenixes, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to
Peafowl and Phoenixes, late 1500s. In this extraordinary pair of screens, pairs of peafowl and phoenixes stand among bamboo and paulownia trees. Phoenixes are fantastical birds said to inhabit paulownia trees and eat bamboo, and to celebrate virtuous rulers. The birds are represented in Japanese art from as early as the Kofun period (about AD 300-710), and their depiction with paulownia trees becomes standard in the decorative arts of the Heian period (794-1185). Peafowl are birds that amuse themselves in the lake of the Buddha Amidas Pure Land, a paradise where many once hoped to find themselves after death. Both birds appeared on textiles or paintings in the 1500s and 1600s, used in official ceremonies centered around emperors. These screens are attributed to painter Tosa Mitsuyoshi based on their style. Mitsuyoshi is best known for his album leaf paintings of The Tale of Genji. This is the only large-scale bird-and-flower composition in his style to survive
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Media ID 19640768
© Heritage Art/Heritage Images
1573 1615 Attributed To Momoyama Period
16"x24" (61x41cm) Metal Print
Step into the enchanting world of Japanese art with Media Storehouse's Metal Prints featuring the captivating work of Tosa Mitsuyoshi. Dating back to the late 1500s, this exquisite piece showcases a pair of screens, where the elegance of peafowl and the mythical allure of phoenixes harmoniously coexist. Surrounded by the tranquility of bamboo and paulownia trees, these majestic creatures are attributed to the masterful hand of Tosa Mitsuyoshi. Our high-quality Metal Prints bring the rich details and vibrant colors of this heritage artwork to life, making it a stunning addition to any home or office space. Experience the timeless beauty of Japanese art with Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Animals
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> Passerines
> Birds Of Paradise
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> Japan
> Lakes
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> Asia
> Japan
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> Canton
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EDITORS COMMENTS
This print showcases a pair of screens titled "Peafowl and Phoenixes" created in the late 1500s by the renowned Japanese artist, Tosa Mitsuyoshi. The screens depict an enchanting scene where peafowl and phoenixes gracefully stand amidst bamboo and paulownia trees. In Japanese folklore, phoenixes are mythical birds believed to reside in paulownia trees while feasting on bamboo, symbolizing virtuous rulers. These majestic creatures have been depicted in Japanese art since ancient times, with their association with paulownia trees becoming prevalent during the Heian period. The presence of peafowl adds further allure to this composition as they were often associated with the Buddha Amida's Pure Land, a paradise sought after by many for eternal bliss after death. During the 1500s and 1600s, both peafowl and phoenixes frequently adorned textiles and paintings used in official ceremonies centered around emperors. Attributed to Tosa Mitsuyoshi based on its distinctive style, these screens represent his only surviving large-scale bird-and-flower composition outside of his well-known album leaf paintings depicting "The Tale of Genji". This exquisite artwork is a testament to Mitsuyoshi's mastery in capturing nature's beauty through intricate details and vibrant colors. Presented here as a print by Heritage Art/Heritage Images, this image allows us to appreciate Mitsuyoshi's artistic brilliance while immersing ourselves in the timeless charm of Japan's rich cultural heritage.
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