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Metal Print : Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series "Cutouts of the Fifty-three Stations... 1852. Creator: Ando Hiroshige. Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series "Cutouts of the Fifty-three Stations... 1852

Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series 'Cutouts of the Fifty-three Stations... 1852. Creator: Ando Hiroshige. Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series 'Cutouts of the Fifty-three Stations... 1852



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Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series "Cutouts of the Fifty-three Stations... 1852. Creator: Ando Hiroshige. Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series "Cutouts of the Fifty-three Stations... 1852

Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)", 1852

Heritage Images features heritage image collections

Media ID 36215038

© Heritage Art/Heritage Images

Cutouts Of The Fifty Three Stations Ejiri Shizuoka Japan Harimaze Montage Oban Oban Harimaze Okitsu Parasol Parasols Shukuba Straw Hat View To Sea Yui Shizuoka Chubu Japan Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Fuchu Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige


16"x24" (61x41cm) Metal Print

Experience the timeless beauty of Japanese art with our Metal Prints featuring Ando Hiroshige's iconic work, "Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series Cutouts of the Fifty-three Stations... 1852." This exquisite print showcases the masterful brushstrokes of Hiroshige, capturing the essence of Okitsu, Ejiri, Yui, and Fuchu in their serene surroundings. Each Metal Print is meticulously crafted to bring out the vibrant colors and intricate details of this classic piece, making it a stunning addition to any home or office. Embrace the rich history and artistry of Ando Hiroshige with our high-quality Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Hiroshige Ando

> Arts > Artists > Ando Hiroshige

> Arts > Artists > H > Ando Hiroshige

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > U > Hiroshige Utagawa

> Asia > Japan > Related Images

> Asia > Japan > Shizuoka

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
Ando Hiroshige's Okitsu, Ejiri, Yui, and Fuchu, no. 5 from the series "Cutouts of the Fifty-three Stations" (Gojusan tsugi harimaze), created in 1852, showcases a serene scene from the Edo period of Japan. The print depicts four travelers, two men and two women, making their way through a scenic landscape. The first figure, Okitsu, is shown wearing a blue robe and carrying a parasol. He is followed by Ejiri, a man in a brown hat and a long coat, and Yui, a woman in a colorful dress and a red parasol. The final figure, Fuchu, is a man in a brown robe and a straw hat, who is looking back at the group. The background of the print is filled with lush greenery, including trees, bushes, and flowers. The travelers are making their way along a winding path, which leads to a bridge over a river. The clear blue sky is dotted with clouds, adding to the sense of tranquility and beauty. This oban-size color woodblock print is a prime example of Hiroshige's artistic skill and mastery of the medium. The intricate details of the clothing, accessories, and natural elements are rendered with great care and precision. The use of bold colors and dynamic composition creates a visually stunning work of art that transports the viewer to a different time and place. Hiroshige's "Cutouts of the Fifty-three Stations" series is a beloved masterpiece of Japanese art, and this print is a must-have for any collection focused on Asian art, heritage, or fashion. The intricate details and beautiful composition make it a captivating addition to any art gallery or institute, and a source of inspiration for artists and designers alike.

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