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Metal Print : Napoleon I at the tomb of Frederick the Great, 27 October 1806, (1936). Creator: Unknown
Metal Prints From Heritage Images
Napoleon I at the tomb of Frederick the Great, 27 October 1806, (1936). Creator: Unknown
Napoleon I at the tomb of Frederick the Great, 27 October 1806, (1936). Napoleon I Am Sarge Friedrichs Des Grossen, 27 Oktober 1806.
The French emperor Napoleon (1769-1821) visits the tomb of King Frederick the Great of Prussia (1712-1786) in the crypt of the Garrison Church in Potsdam, (Germany). From " Bilder Deutscher Geschichte", (Pictures of German History), No.12, cigarette card album. [Cigaretten-Bilderdienst, Altona-Bahrenfeld, Hamburg, Germany, 1936]
Heritage Images features heritage image collections
Media ID 19125771
© The Print Collector/Heritage Images
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16"x20" (51x41cm) Metal Print
Step back in time with our stunning Metal Print of Napoleon I at the tomb of Frederick the Great, captured in this historic moment on 27 October 1806. This iconic image, taken from Heritage Images, showcases the reverence and respect Napoleon paid to his predecessor, Frederick the Great. The Metal Print's vibrant colors and high-quality finish bring out the intricate details of this timeless photograph, making it a must-have for history enthusiasts and art collectors alike. Add a touch of history to your home or office with this unique and captivating piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in history as the French emperor Napoleon I pays his respects at the tomb of King Frederick the Great of Prussia. Taken on 27 October 1806, this powerful image showcases Napoleon's visit to the crypt of the Garrison Church in Potsdam, Germany. Napoleon, known for his military prowess and strategic genius, stands solemnly before the burial site of Frederick II, who reigned as king from 1740 to 1786. The photograph exudes a sense of reverence and contemplation as Napoleon reflects upon the legacy left behind by this influential monarch. The composition is strikingly composed with its play on light and shadow, emphasizing both Napoleon's stature as an emperor and the historical significance of this encounter. The cigarette card album "Bilder Deutscher Geschichte" serves as a testament to how widely recognized and celebrated this particular moment was during that era. As we gaze upon this remarkable image today, we are transported back to a time when empires clashed and alliances were formed. It reminds us that even great leaders like Napoleon took moments to reflect on those who came before them – acknowledging their contributions while shaping their own destinies. This print is not just a visual representation but also an embodiment of history itself – capturing one man's journey through time as he stands before another's final resting place.
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