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Metal Print : Monkey-Flower, 1812, (1944). Creator: Unknown

Monkey-Flower, 1812, (1944). Creator: Unknown



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Monkey-Flower, 1812, (1944). Creator: Unknown

Monkey-Flower, 1812, (1944). Illustration from " Curtiss Botanical Magazine" founded by William Curtis. Published in " Wild Flowers in Britain", by Geoffrey Grigson. [Collins, London, 1944]

Heritage Images features heritage image collections

Media ID 19777716

© The Print Collector/Heritage Images

Botanical Botany Britain In Pictures Collins Curtis Edwards Geoffrey Geoffrey Edward Harvey Geoffrey Edward Harvey Grigson Geoffrey Grigson Grigson Leaf Leaves Natural History Social History Sydenham William Collins William Collins And Sons William Collins Sons William Curtis Monkey Flower Sydenham Edwards Sydenham Teast Sydenham Teast Edwards


16"x24" (61x41cm) Metal Print

Bring the beauty of the past into your modern home with our exquisite Metal Prints featuring the enchanting Monkey-Flower, 1812 (1944). This captivating image, sourced from the esteemed Curtiss Botanical Magazine, showcases the Monkey-Flower in all its glory. The unknown creator's intricate illustration, originally published in "Wild Flowers in Britain," is now transformed into a stunning, vibrant piece of art. Our high-quality Metal Prints not only preserve the intricacy of the original design but also add a contemporary twist with their sleek, metallic finish. Elevate your space with this timeless botanical masterpiece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > Edward Curtis

> Arts > Artists > C > William Collins

> Arts > Artists > E > Edward Edwards

> Arts > Literature > Magazines

> Arts > Portraits > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Fine art

> Arts > Realistic drawings > Botanical illustrations > Nature-inspired artwork

> Arts > Realistic drawings > Nature art > Botanical artwork


EDITORS COMMENTS
This print titled "Monkey-Flower, 1812" takes us back to the enchanting world of British flora in the early 19th century. Created by an unknown artist and featured in the renowned "Curtiss Botanical Magazine" this illustration showcases a delicate yellow Monkey-Flower, its vibrant petals gracefully unfurling amidst lush green leaves. Published as part of "Wild Flowers in Britain" by Geoffrey Grigson in 1944, this print offers a glimpse into the rich natural history of England. The botanical expertise and meticulous attention to detail are evident in every stroke of this engraving. It serves as a testament to William Curtis' vision when founding his iconic magazine. The Monkey-Flower's bright color and intricate structure make it a fascinating subject for scientific study. This image invites us to appreciate not only its beauty but also its significance within the realm of botany. As we admire this exquisite portrayal, we are transported to an era where nature was meticulously documented and celebrated. With its historical context firmly rooted in both the 19th and 20th centuries, this print captures a moment that bridges two distinct periods of British social history. Its inclusion in publications such as "Britain In Pictures" by William Collins & Sons further solidifies its importance within cultural heritage. As we gaze upon this remarkable piece, let us marvel at how art intertwines with science, inviting us on a journey through time while celebrating the wonders of our natural world.

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