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Metal Print : Meditation, 1910. Creator: Herbert Ponting

Meditation, 1910. Creator: Herbert Ponting



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Meditation, 1910. Creator: Herbert Ponting

Meditation, 1910. Jizo statues at Kanmangafuchi, Nikko. From " In Lotus-Land Japan", by Herbert G. Ponting, F.R.G.S. [Macmillan and Co. Limited, London, 1910]

Heritage Images features heritage image collections

Media ID 18778025

© The Print Collector/Heritage Images

Bodhisattva Herbert Herbert George Ponting Herbert Ponting In A Row In Lotus Land Japan Jizo Kanto Kisitigarbha Macmillan Macmillan And Co Macmillan Publishers Macmillan Publishers Ltd Meditation Nikko Oriental Pilgrim Ponting Protector Publishers Staff Tochigi Traveller Travellers Valley Walking Staff


16"x20" (51x41cm) Metal Print

Experience the tranquility of ancient Japan with our exquisite Metal Print of 'Meditation, 1910' by Herbert Ponting. Captured from the pages of 'In Lotus-Land Japan', this timeless image showcases a serene scene of Jizo statues nestled among lotus flowers at Kanmangafuchi in Nikko. Our premium Metal Prints are known for their vibrant colors, exceptional clarity, and long-lasting durability. Bring the beauty and peace of this iconic photograph into your home and make it a cherished part of your decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > P > Herbert Ponting

> Arts > Artists > W > George White

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Asia > Japan > Related Images

> Europe > France > Canton > Landes


EDITORS COMMENTS
Caption: "Meditation, 1910" - A Serene Encounter with Jizo Statues in Lotus-Land Japan This photo print, titled "Meditation, 1910" captures a serene moment amidst the enchanting Kanmangafuchi valley in Nikko, Japan. The image was created by Herbert Ponting, an acclaimed photographer and explorer of his time. In this mesmerizing scene from Ponting's book "In Lotus-Land Japan" we are transported to a tranquil realm where rows of Jizo statues stand as silent guardians. These Bodhisattva figures, dressed in traditional Japanese attire, exude an aura of peace and contemplation. The photograph showcases the mastery of Ponting's artistry as he skillfully captures the essence of Japanese spirituality. The lone figure standing among the statues appears deep in meditation or prayer while holding a walking staff—a symbol often associated with pilgrims embarking on spiritual journeys. Ponting's lens transports us beyond geographical boundaries into the heart of ancient traditions. His monochrome portrayal emphasizes both the timeless beauty and profound significance of these religious sculptures within Japanese culture. As we gaze upon this remarkable image from early 20th-century Asia, we can almost feel ourselves immersed in its tranquility. It serves as a poignant reminder that amidst our bustling modern lives, moments for introspection and connection with something greater still exist—just like those who have sought solace here for centuries before us.

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