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Metal Print : Lady Fawkener, c1760. Artist: Jean-Etienne Liotard
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Lady Fawkener, c1760. Artist: Jean-Etienne Liotard
Lady Fawkener, c1760. Harriet Churchill, the wife of Sir Everard Fawkener, English Ambassador to Constantinople, from 1737 to 1746. Painting housed at Compton Verney, Warwickshire. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]
Heritage Images features heritage image collections
Media ID 14964260
© The Print Collector
Churchill F Gordon Roe Frederic Gordon Frederic Gordon Roe Giovanni Stefano Liotard Harriet Jean étienne Liotard Liotard Overweight Pastel Ribbon Shawl The Connoisseur Compton Verney Country House Jean étienne
16"x20" (51x41cm) Metal Print
Bring historical elegance into your home with our exquisite Metal Print of Lady Fawkener, a stunning portrait painted by Jean-Etienne Liotard in the mid-18th century. Lady Harriet Churchill, the English Ambassador's wife to Constantinople from 1737 to 1746, is captured in this beautiful artwork, now available as a high-quality Metal Print from Media Storehouse. Each Metal Print is meticulously crafted to bring out the rich colors and intricate details of this Heritage Image, ensuring a stunning addition to any room in your home or office. Experience the timeless beauty of this masterpiece, now transformed into a modern and durable work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite portrait of Lady Fawkener, painted by the renowned artist Jean-Etienne Liotard around 1760. The subject of this masterpiece is none other than Harriet Churchill, the elegant wife of Sir Everard Fawkener, who served as the English Ambassador to Constantinople during the years 1737 to 1746. The painting itself resides within the walls of Compton Verney, a magnificent country house nestled in Warwickshire. This image was featured in an edition of The Connoisseur Volume XCI, edited by F. Gordon Roe and published in London in 1933. Lady Fawkener's striking presence is captured flawlessly through Liotard's skilled use of pastels. Her direct gaze conveys both confidence and grace while she dons a fashionable black hat adorned with a delicate ribbon. Clothed in a stunning white dress that accentuates her beauty, Lady Fawkener exudes timeless elegance despite being depicted from an earlier era. The composition also highlights her hand gesture and shawl draped over her arm, adding depth to her character. Although described as overweight according to standards at that time, Lady Fawkener's allure remains undeniable. Through this remarkable print from Heritage Images' collection curated by The Print Collector29 and Frederic Gordon Roe (F. Gordon Roe), we are transported back to the eighteenth century where artistry met sophistication in capturing one woman's essence for generations to admire.
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