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Metal Print : J'ai mangé du cheval, du Jockey je n'en ai pas encore gouté, c'est une lacune dans ma cuisine!, 1865 Creator: Cham

J'ai mangé du cheval, du Jockey je n'en ai pas encore gouté, c'est une lacune dans ma cuisine!, 1865 Creator: Cham



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J'ai mangé du cheval, du Jockey je n'en ai pas encore gouté, c'est une lacune dans ma cuisine!, 1865 Creator: Cham

J'ai mange du cheval, du Jockey je n'en ai pas encore goute, c'est une lacune dans ma cuisine!, 1865. Series: Actualites; Periodical: Le Charivari, Saturday, 25 March 1865.
I ate horse, I haven't tasted the Jockey yet, it's a gap in my cuisine

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Media ID 36363899

© Heritage Art/Heritage Images

Actualites Amedee Charles Henri De Noe Amedee De Noe Caricatures Cartoons Cham De Noe Amedee Equestrian Graphics Horse Racing Jockey Le Charivari Lithographic Noe Amedee Charles Henri De Periodical Race Horse Race Horses Racehorse Racehorses Sportsman Sportsmen Lithotint Parody Satirical


16"x20" (51x41cm) Metal Print

Experience the timeless charm of Cham's iconic illustration, "J'ai mangé du cheval, du Jockey je n'en ai pas encore gouté, c'est une lacune dans ma cuisine!" (I have eaten horse, but I have not yet tasted jockey, it's a gap in my cooking!), from the French satirical weekly Le Charivari, published on March 25, 1865. Our Media Storehouse Metal Prints bring this historic image to life, adding a unique and contemporary twist to your decor. Each print is meticulously printed on high-quality metal sheets using a sublimation process, ensuring vibrant colors and long-lasting durability. Elevate your space with a piece of art that tells a story, and add a touch of history to your home or office.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Horse > Racing

> Arts > Artists > W > Charles White

> Arts > Literature > Illustration

> Arts > Literature > Magazines

> Arts > Literature

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Le Mans

> Europe > France > Sport > Horse Racing

> Europe > France > Sport > Related Images

> Historic > Ancient artifacts and relics


J'ai mangé du cheval, du Jockey je n'en ai pas encore goûté, c'est une lacune dans ma cuisine!

EDITORS COMMENTS
(I ate horse, I haven't tasted the Jockey yet, it's a gap in my cuisine!) is a satirical lithograph created by French caricaturist Léon-Auguste-Alphonse Cham, also known as Cham, in 1865. This image was published in the French satirical weekly magazine Le Charivari on March 25, 1865, under the series title "Actualités." The lithograph depicts a well-dressed man, identified as Amedee de Noe, a French journalist and writer, sitting at a table laden with various dishes. The man is in the midst of a meal, with a look of surprise and delight on his face as he reaches for a plate labeled "Jockey." The other plates on the table are labeled with various cuts of horsemeat, such as "Rump," "Saddle," and "Tongue." The man's expression suggests that he has not yet tried the Jockey, and he is eager to do so. The title of the lithograph plays on the double meaning of the word "Jockey." In this context, it refers to a type of horsemeat dish, specifically the meat from the horse's hindquarters. However, the term "Jockey" could also refer to a person who rides horses in races. The caricature is a humorous commentary on the popularity of horse racing and the consumption of horsemeat in 19th-century Europe. This lithograph is an important example of the satirical and parodic art of the 19th century. It is a testament to the cultural and historical significance of Le Charivari and the role it played in shaping French society and politics during this period. Today, this lithograph is held in the collection of the Los Angeles County Museum of Art (LACMA) and is a valuable addition to the museum's heritage art holdings.

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