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Metal Print : Grande Pagode Porte Ouest de la 1ere enceinte, 1866. Creator: Emile Gsell
Metal Prints from Heritage Images
Grande Pagode Porte Ouest de la 1ere enceinte, 1866. Creator: Emile Gsell
Grande Pagode Porte Ouest de la 1ere enceinte, 1866
Heritage Images features heritage image collections
Media ID 20167725
© Heritage Art/Heritage Images
Angkor Wat Archaeological Cambodia Cambodian Emile Emile Gsell Enclosure Gate Gsell Gsell Emile Khmer Overgrown Pagoda Southeast Asia West Western Albumen Silver Print
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of Emile Gsell's Grande Pagode Porte Ouest de la 1ere enceinte, 1866 photograph into your home with a Media Storehouse Metal Print. This stunning image, captured by renowned photographer Emile Gsell from Heritage Images, showcases the grandeur and intricacy of the Grande Pagode in Hue, Vietnam. Our high-quality metal prints are not just a decorative addition to your space, they are a conversation starter and a reminder of the rich history and culture that lies beyond. With vibrant colors and exceptional detail, each print is individually crafted to ensure a long-lasting, museum-quality display. Elevate your interior design and transport yourself to another world with a Media Storehouse Metal Print of this breathtaking photograph.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Grande Pagode Porte Ouest de la 1ere enceinte, 1866 - A Glimpse into Cambodia's Ancient Majesty
EDITORS COMMENTS
. This print by Emile Gsell takes us back to the enchanting world of 19th-century Cambodia. The image showcases the Grande Pagode Porte Ouest de la 1ere enceinte, a magnificent entrance gate standing proudly at Angkor Wat, one of Southeast Asia's most renowned archaeological sites. Gsell's meticulous composition captures the grandeur of this architectural marvel with striking clarity. The overgrown vegetation surrounding the ruins adds an air of mystery and timelessness to the scene. As we gaze upon this hauntingly beautiful sight, we are transported to a bygone era when Khmer civilization flourished. The photograph not only highlights the artistic prowess of Emile Gsell but also serves as a testament to his dedication in documenting historical heritage. His lens immortalizes this religious monument that stands as a symbol of Cambodian culture and spirituality. Today, housed within The Metropolitan Museum of Art's collection, this albumen silver print continues to mesmerize viewers with its evocative power. It invites us on a visual journey through time, allowing us to appreciate both the beauty and fragility of our shared human history. As we contemplate this remarkable image captured by Emile Gsell over a century ago, it reminds us that even in ruins lie stories waiting to be discovered – stories that connect us across borders
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