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Metal Print : Femmes du Prince Phra-Keo-Pha, 1866. Creator: Emile Gsell

Femmes du Prince Phra-Keo-Pha, 1866. Creator: Emile Gsell



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Femmes du Prince Phra-Keo-Pha, 1866. Creator: Emile Gsell

Femmes du Prince Phra-Keo-Pha, 1866

Heritage Images features heritage image collections

Media ID 20167743

© Heritage Art/Heritage Images

Bench Benches Cambodia Cambodian Emile Emile Gsell Gsell Gsell Emile Seating Southeast Asia Wives Albumen Silver Print


16"x20" (51x41cm) Metal Print

Step into the captivating world of 19th-century Thailand with our exquisite Metal Print of "Femmes du Prince Phra-Keo-Pha" by Emile Gsell, available at Media Storehouse. This timeless photograph, taken in 1866, captures a group of royal women adorned in traditional attire and headdresses. The rich details of their intricate costumes and the regal elegance of their poses are brought to life through our premium Metal Print process. The vibrant colors and stunning clarity of this image are sure to add an air of sophistication and cultural depth to any space. Embrace the beauty and history of this captivating image, now available as a Metal Print from Media Storehouse.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Cambodian Cambodian

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Asia > Cambodia > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This photo print, titled "Femmes du Prince Phra-Keo-Pha, 1866" takes us back to the enchanting world of 19th-century Cambodia. Created by Emile Gsell, a talented French photographer, this albumen silver print captures the essence of Cambodian women during that time. The image showcases a group of elegantly dressed females seated on wooden benches. Their traditional hairstyles and intricate clothing reflect their cultural heritage and add an air of grace to the composition. Each woman's portrait tells a unique story, hinting at their roles as wives or perhaps even as members of royalty. Gsell's keen eye for detail is evident in every aspect of this photograph – from the delicate folds in their garments to the subtle expressions on their faces. Through his lens, he transports us to Southeast Asia, allowing us to glimpse into a bygone era filled with beauty and tradition. Now housed within The Metropolitan Museum of Art's collection, this piece serves as a testament to Gsell's skill as well as an invaluable record of Cambodian history. It reminds us how photography can bridge gaps between cultures and preserve moments that might otherwise be lost forever. As we admire these remarkable women frozen in time through Gsell's lens, we are reminded not only of their individual stories but also the rich tapestry that makes up our shared human experience.

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