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Metal Print : The Double Janus Guard, for Clapham Junction, 1865. Artist: Charles Henry Bennett
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The Double Janus Guard, for Clapham Junction, 1865. Artist: Charles Henry Bennett
The Double Janus Guard, for Clapham Junction, 1865. A Double Janus, with four faces, stands guard at the new Clapham Junction, a complex arrangement of railway lines. All four faces will be needed if the trains are to be safely guided onto the right tracks. Janus in Roman mythology was the god of passageways and doorways. He is usually depicted as having two faces. From Punch, or the London Charivari, August 19, 1865
Heritage Images features heritage image collections
Media ID 14830728
© The Print Collector / Heritage-Images
Bennett Charles Henry Charles Henry Bennett Charles Herny Clapham Heritage Image Partnership Janus Railway Station Railway Track Station Train Station Wandsworth Clapham Junction Railway Signal
20"x24" (61x51cm) Metal Print
Step into the past with our exquisite Metal Print of The Double Janus Guard for Clapham Junction, 1865. This captivating image, created by renowned artist Charles Henry Bennett, showcases the Double Janus Guard in all its glory. With its unique four-faced design, this guard stood proudly at the new Clapham Junction, a testament to the intricate railway arrangements of the time. Our high-quality Metal Prints bring this historical masterpiece to life, adding a touch of timeless charm to any space. Experience the beauty and history of this iconic artwork like never before.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Double Janus Guard, for Clapham Junction, 1865
EDITORS COMMENTS
is a captivating print by Charles Henry Bennett that captures the intricate railway system of Clapham Junction in the 19th century. In this artwork, a Double Janus guard with four faces stands tall and vigilant at the bustling junction. The artist skillfully portrays the importance of these multiple faces as they are essential for safely guiding trains onto the correct tracks. The presence of Janus in this piece adds an intriguing mythological element to the scene. In Roman mythology, Janus was revered as the god of passageways and doorways, making him a fitting symbol for a railway station like Clapham Junction - a hub connecting various destinations. By depicting Janus with four faces instead of two, Bennett emphasizes how crucial it is to have all aspects covered when managing such complex transportation networks. This engraving from "Punch, or the London Charivari" not only showcases Bennett's artistic talent but also serves as a historical document capturing an important moment in London's transport history. It offers us a glimpse into what life was like during that era - where railways were rapidly expanding and becoming integral to daily life. As we admire this heritage image partnership print today, we can appreciate both its aesthetic appeal and its significance in preserving our understanding of transportation development in 19th-century England.
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