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Metal Print : Why Don t You Take It?, 1861-64. 1861-64. Creators: Nathaniel Currier
Metal Prints from Heritage Images
Why Don t You Take It?, 1861-64. 1861-64. Creators: Nathaniel Currier
Why Don t You Take It?, 1861-64. Political satires of American Civil War with Confederate leader Jefferson Davis, as a greyhound, cringing away from an aggressive bulldog, general Ulysses S. Grant
Heritage Images features heritage image collections
Media ID 19986486
© Heritage Art/Heritage Images
Aggressive Agression American Civil War Barrel Barrels Bulldog Confederate Currier Currier And Ives Currier Ives Currier Nathaniel Davis Davis Jefferson General Grant Grant Grant Ulysses Simpson Greyhound Hiram Ulysses Grant Ives Ives James Merritt James Ives James Merritt James Merritt Ives Jefferson Jefferson Davis Nathaniel Nathaniel Currier Supplies Ulises Grant Ulyses Grant Ulysses Simpson Ulysses Simpson Grant Ulyssess Grant Us Grant Lithotint Parody Satirical
16"x24" (61x41cm) Metal Print
Add historical depth to your home or office with Media Storehouse's Metal Prints featuring "Why Don't You Take It?" (1861-64) by Currier and Ives. This iconic political satire depicts Confederate leader Jefferson Davis as a cringing greyhound, evading the aggressive advances of General Ulysses S. Grant, represented as a powerful bulldog. The vivid colors and high-quality metal print material bring the intrigue and tension of the American Civil War era to life. Elevate your space with this captivating piece of history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Why Don't You Take It?
EDITORS COMMENTS
is a captivating lithograph print created by Nathaniel Currier and James Merritt Ives during the American Civil War. The artwork cleverly satirizes the conflict between Confederate leader Jefferson Davis and Union General Ulysses S. Grant. In this image, Davis is depicted as a greyhound, symbolizing his vulnerability and fearfulness in the face of aggression. He cringes away from an aggressive bulldog representing General Grant, who appears determined to confront him head-on. The artists skillfully use animal symbolism to convey the power dynamics at play during this tumultuous period in American history. The contrasting expressions on both figures' faces capture their respective attitudes towards the war: Davis exudes trepidation while Grant emanates confidence and determination. Through this political satire, Currier and Ives offer a commentary on the state of affairs in 19th century America. They highlight how leaders like Davis were hesitant to engage with their adversaries, while men like Grant were resolute in their pursuit of victory for their country. This lithograph serves as a reminder of the fierce struggles that defined the United States during its most challenging times. It showcases not only Currier's artistic talent but also his ability to encapsulate complex political themes within a single image. As we reflect upon this historical piece today, it prompts us to consider how art can be used as a medium for social commentary and reflection on our own society's challenges.
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