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Metal Print : The difference between law and justice, 1809. Artist: Isaac Cruikshank
Metal Prints from Heritage Images
The difference between law and justice, 1809. Artist: Isaac Cruikshank
The difference between law and justice, 1809; showing the Lord Mayor, John Atkins, using the City sword to prod the posterior of a visitor who leaps over the parapet of Mansion House. Thomas Williams, deputy alderman of Walbrook ward stands behind the Mayor
Heritage Images features heritage image collections
Media ID 15173584
© London Metropolitan Archives (City of London) / Heritage-Images
Alderman Atkins Cruikshank Isaac Isaac Cruikshank Justice Lord Mayor Of London Mansion House Parapet Scales Of Justice Speech Bubble Williams
16"x20" (51x41cm) Metal Print
Experience the captivating art of the past with our Media Storehouse Metal Prints. This particular piece showcases "The Difference between Law and Justice, 1809" by Isaac Cruikshank from Heritage Images. Witness the intriguing scene of Lord Mayor John Atkins enforcing the law with a playful prod to a jumper who dared to leap over the parapet of Mansion House. Our high-quality Metal Prints bring this historic artwork to life, adding a unique and thought-provoking touch to any space. Embrace the rich history and intrigue of this iconic image with our durable and stylish Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "The Difference between Law and Justice, 1809" by Isaac Cruikshank offers a thought-provoking glimpse into the dynamics of power and authority in 19th century London. The image portrays an intriguing scene at Mansion House, where the Lord Mayor, John Atkins, wields the City sword to prod a daring visitor who has leaped over the parapet. Standing behind the Mayor is Thomas Williams, deputy alderman of Walbrook ward. In this satirical artwork, Cruikshank skillfully captures the stark contrast between law and justice. While law represents a set of rules that govern society's behavior, justice embodies fairness and moral righteousness. Here we witness an amusing yet poignant commentary on how those in positions of authority may sometimes prioritize enforcing laws over achieving true justice. The vibrant colors and intricate details bring this historical moment to life. The depiction of various individuals dressed in their distinctive uniforms adds depth to the narrative while highlighting societal hierarchies prevalent during that era. As viewers delve into this piece further, they are invited to reflect upon timeless questions surrounding politics and governance: How do we strike a balance between upholding laws and ensuring justice? Can one truly exist without the other? Through his masterful etching technique, Cruikshank invites us to ponder these complex notions while shedding light on an important chapter in England's history.
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