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Metal Print : Dead plants on a windowsill, 1952. Creator: Shirley Markham
Metal Prints From Heritage Images
Dead plants on a windowsill, 1952. Creator: Shirley Markham
Dead plants on a windowsill, 1952. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
Heritage Images features heritage image collections
Media ID 18266203
© Shirley Markham Collection / Heritage-Images
1950s Dead Fifties Flower Pot Flowerpot Markham Retro Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite Waite Window Sill Windowsill
16"x20" (51x41cm) Metal Print
Revive the past with our Media Storehouse Metal Print of 'Dead Plants on a Windowsill,' 1952, by acclaimed British illustrator Shirley Markham. This evocative image, captured from Shirley's time at Central School of Art in London, transports you back to a simpler era. The faded, lifeless plants on the windowsill tell a story of time passing, while the metal print's vibrant colors and high-quality finish bring the image to life in your home. A beautiful addition to any space, this unique piece is sure to spark conversation and add character to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Dead plants on a windowsill, 1952" by Shirley Markham offers a glimpse into the artist's unique perspective and influences. Markham, a talented graphic designer and illustrator, studied at the prestigious Central School of Art in London during the early 1950s. Under the guidance of renowned writer and artist Mervyn Peake, as well as other notable British illustrators like Edward Ardizzone, Quentin Blake, and Edward Bawden, Markham developed her distinct style of drawing. During her time in Italy's Dolomite Mountains and Rome, Markham sketched classical buildings that further shaped her artistic vision. However, despite her promising career prospects after graduating from Central School of Art, societal expectations for middle-class women prevailed. In 1957 she married and chose to dedicate herself to raising children and managing household responsibilities. For years, Markham's remarkable portfolio remained hidden away in the family attic until now. This publication marks its long-awaited debut to showcase her exceptional talent once again. The featured photograph captures dead plants resting on a windowsill with an intriguing sense of melancholy beauty—a testament to Markham's ability to find artistry even in life's fleeting moments. Through this rediscovered work by Shirley Markham (1931-1999), we are reminded not only of one woman's untapped potential but also reflect upon the limitations placed upon women during that era.
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