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Metal Print : Cover Design for the Cambridge ABC, 1894. Creator: Aubrey Beardsley

Cover Design for the Cambridge ABC, 1894. Creator: Aubrey Beardsley



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Cover Design for the Cambridge ABC, 1894. Creator: Aubrey Beardsley

Cover Design for the Cambridge ABC, 1894. A masked figure and a woman wearing a dress with a long train meet in a formal garden. A students magazine published during Eights Week by three undergraduates whose names began with A, B and C (R.A. Austen Leigh, Maurice Baring and W.H. W. Cornish). From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

Heritage Images features heritage image collections

Media ID 24364740

© Shirley Markham Collection/Heritage Images

Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Cambridge University Decadent Movement Mask Masked Publishing Publishing House R A Walker Rainforth Armitage Walker Shirley Markham Train University University Of Cambridge Walker Walker R A Walker Rainforth Armitage Graphic Design


16"x24" (61x41cm) Metal Print

Bring the captivating artistry of Aubrey Beardsley into your home with our Media Storehouse Metal Prints. This exquisite design features Beardsley's iconic cover art for the Cambridge ABC, 1894. The image of a masked figure and a woman in a long train dress, meeting in a formal garden, is brought to life in stunning detail on a high-quality metal print. Each print is meticulously crafted to provide vibrant colors and sharp contrasts, ensuring your artwork stands out. Elevate your decor with this unique and timeless piece, a must-have for art enthusiasts and collectors alike.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 41.2cm x 59.3cm (16.2" x 23.3")

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Art Nouveau

> Arts > Artists > B > Aubrey Beardsley

> Arts > Artists > H > Guy Head

> Arts > Literature > Illustration

> Arts > Literature > Magazines

> Arts > Literature

> Europe > United Kingdom > England > London > Towns > Shirley

> Europe > United Kingdom > England > London > Transport > Railway

> Transportation > Trains


EDITORS COMMENTS
This print showcases the mesmerizing "Cover Design for the Cambridge ABC, 1894" by Aubrey Beardsley. The artwork depicts a scene set in a formal garden during Eights Week, featuring a masked figure and an elegantly dressed woman with a long train. Published as part of a student magazine at Cambridge University, this cover design was created by three undergraduates whose names began with A, B, and C - R. A. Austen Leigh, Maurice Baring, and W. H. W. Cornish. It beautifully captures the essence of the art nouveau movement that dominated the late 19th century. Beardsley's intricate illustration skillfully combines elements of nature with satirical undertones. The masked figure gestures towards the woman while surrounded by lush trees and plants, creating an air of mystery and intrigue. The graphic design reflects Beardsley's unique style characterized by bold lines and meticulous attention to detail. His work often pushed boundaries and challenged societal norms through its decadent aesthetic. This remarkable piece is just one example from "The Best of Beardsley" edited by R. A. Walker in 1948. It serves as a testament to Beardsley's lasting influence on British art and literature during his time at Cambridge University. Overall, this print encapsulates not only Beardsley's artistic brilliance but also represents an important era in both education and publishing history at Cambridge University.

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