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Metal Print : Columbias Sewing-Machine, 1864. Artist: John Tenniel

Columbias Sewing-Machine, 1864. Artist: John Tenniel



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Columbias Sewing-Machine, 1864. Artist: John Tenniel

Columbias Sewing-Machine, 1864. Britannia says: Ah, my dear Columbia, its all very well; But you ll find it difficult to join that neatly. The American Civil War was nowhere near a conclusion and the two sides were as bitterly opposed as ever. Here, a matronly Mrs Britannia looks at a girlish Columbia who sits holding a map representing the torn and divided States of America. From Punch, or the London Charivari, October 1, 1864

Heritage Images features heritage image collections

Media ID 14830670

© The Print Collector / Heritage-Images

Britannia Columbia Helmet Heritage Image Partnership John Tenniel Machine Machinery Sewing Machine Sir John Tenniel Tenniel Allegorical Figure American Civil War


16"x20" (51x41cm) Metal Print

Bring history to life with our exquisite Metal Prints featuring the iconic illustration of Columbia and her sewing machine by John Tenniel. This timeless image, taken from Heritage Images, depicts Britannia expressing her admiration for Columbia's invention in 1864. Our high-quality Metal Prints add a unique and sophisticated touch to any decor, preserving the intricate details and vibrant colors of this classic artwork. Experience the beauty of this historical moment in your home or office.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Towns > Welling

> Maps and Charts > Americas

> Maps and Charts > Related Images

> North America > United States of America > Maps


EDITORS COMMENTS
In this print titled "Columbias Sewing-Machine, 1864" artist John Tenniel masterfully captures the political turmoil and division that plagued America during the American Civil War. The image portrays a matronly Mrs Britannia observing a young Columbia, representing the United States, struggling to sew together a torn map of the divided states. The tension between these two allegorical figures is palpable as Britannia offers her sympathetic yet skeptical remark: "Ah, my dear Columbia, it's all very well; but you'll find it difficult to join that neatly". This statement reflects both Britain's concern for America's ability to reconcile its differences and their own involvement in the conflict. Tenniel's use of symbolism is striking – from Columbia's youthful appearance juxtaposed with Britannia's more mature demeanor to the torn map symbolizing the fractured nation. The presence of a sewing machine further emphasizes America's struggle for unity amidst chaos. This engraving serves as a powerful commentary on not only the American Civil War but also on international relations during this tumultuous period. It highlights Britain’s interest in America’s fate while subtly questioning whether true reconciliation can be achieved. As we delve into this monochrome masterpiece by Sir John Tenniel, we are transported back to an era where politics and war shaped nations. Through his artistry and satire, Tenniel reminds us of our shared history and challenges us to reflect upon how far we have come since those divisive times.

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