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Metal Print : The City Race, 1771

The City Race, 1771



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The City Race, 1771

The City Race, 1771. Nash, on crutches inscribed Treasury leads a race to the Mansion House, followed by Sawbridge, Crosby (who has fallen down), Hallifax, Townsend and Bankes. In the background Wilkes, in mayoral robes, holds the cap of liberty aloft on a staff while Bull restrains the crowds, who are being harangued by Horne. It is an allusion to the mayoral election of1771

Heritage Images features heritage image collections

Media ID 15178278

© London Metropolitan Archives (City of London) / Heritage-Images

Athletics Brass Bull Chasing Competitor Contest Contestant Crosby Crutches Election Fallen Falling Frederic Frederick Georgian John Wilkes Leading Lord Mayor Of London Nash Race Racing Rival Running Sir Thomas Townsend Track And Field Wilkes James Townsend Sawbridge


16"x24" (61x41cm) Metal Print

Bring history to life with Media Storehouse Metal Prints. This captivating image, "The City Race, 1771" from Heritage Images, showcases an intriguing moment in time as Nash, on crutches and leading the way, races towards the Mansion House. Witness the intense competition as Sawbridge, Crosby, Hallifax, Townsend, and Bankes follow closely behind. Our high-quality Metal Prints not only deliver vibrant colors and sharp details but also provide a sleek, modern look for your home or office décor. Experience the thrill of the past with this unique and stunning piece of historical art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Mayors Mouse

> Arts > Artists > F > John Field

> Arts > Artists > J > William James

> Arts > Artists > N > Frederick Nash

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Boroughs > City of London


The City Race, 1771 - A Satirical Snapshot of London's Mayoral Election

EDITORS COMMENTS
. This print captures a momentous event in the history of London - the mayoral election of 1771. Depicting a lively race through the city streets, this anonymous engraving offers a satirical commentary on the political landscape of that time. At the forefront, we see William Nash, an influential figure from the Treasury, leading the pack despite his crutches. Behind him are John Sawbridge and Sir Thomas Hallifax, both vying for victory in this fiercely contested race. However, Crosby has stumbled and fallen to the ground, symbolizing his failure in this electoral battle. Intriguingly, amidst all this chaos and competition stands John Wilkes donning mayoral robes while proudly raising the cap of liberty on a staff. This gesture signifies his support for democratic ideals during an era marked by political tension. The scene is further enlivened by Frederick Bull restraining enthusiastic crowds as they listen intently to Horne's impassioned speech. The backdrop showcases Georgian-era architecture with its charming avenues and bustling streets. This caricature-like artwork not only provides insight into 18th-century British politics but also serves as a reminder of how satire was employed to critique societal issues during that time. Preserved within Guildhall Library and Art Gallery archives today, it continues to captivate viewers with its intricate details and historical significance.

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