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Metal Print : Christopher Sly (Taming of the Shrew), c1870. Artist: Charles W Sharpe

Christopher Sly (Taming of the Shrew), c1870. Artist: Charles W Sharpe



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Christopher Sly (Taming of the Shrew), c1870. Artist: Charles W Sharpe

Christopher Sly (Taming of the Shrew), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

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Media ID 15340541

© The Print Collector / Heritage-Images

Alcoholic Alcoholism Bed Chamber Bedchamber Bedroom Charles Knight Charles Knight And Co Charles Knight Co Charles W Charles W Sharpe Comedy Drunk Drunkard Drunkenness Elizabethan Fictional Character Knight Orchardson Servant Shakespeare Shakespearean Shakespearian Sharpe Sir William Quiller Orchardson Taming Of The Shrew The Taming Of The Shrew The Works Of Shakspere Virtue And Company Virtue Co Ltd Virtue Company William Orchardson William Quiller William Quiller Orchardson William Shakespeare


16"x20" (51x41cm) Metal Print

Bring Shakespeare's Taming of the Shrew to life with our exquisite Metal Prints featuring the iconic image of Christopher Sly, as depicted by Charles W. Sharpe in 1870. This captivating illustration, taken from The Works of Shakspere by Charles Knight, showcases the intriguing character of Christopher Sly in stunning detail. Our high-quality Metal Prints not only preserve the rich history of this classic work but also add a contemporary and elegant touch to any space. Experience the beauty of literature and art with our Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Soricidae > Black Shrew

> Animals > Mammals > Soricidae > Guy

> Arts > Artists > C > William Charles

> Arts > Artists > S > William Shakespeare

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Art > Comedy


EDITORS COMMENTS
This print captures the essence of Christopher Sly, a fictional character from Shakespeare's "Taming of the Shrew" as portrayed by artist Charles W Sharpe in 1870. The image is part of "The Works of Shakspere" collection by Charles Knight, published by Virtue & Co. Limited in London during the same period. In this scene, we find ourselves transported to an Elizabethan bedchamber where Sly lies drunkenly on a grand four-poster bed. His disheveled appearance and vacant expression depict his state of intoxication, emphasizing his role as a drunkard within the play. The attention to detail in Sharpe's engraving brings out every crease and fold in Sly's attire, showcasing both the artistry and craftsmanship involved. The composition cleverly juxtaposes Sly's presence with that of a female servant attending to him dutifully. This contrast highlights not only their differing roles but also adds depth to the narrative surrounding class distinctions prevalent during that era. Sharpe skillfully captures Sir William Quiller Orchardson's interpretation of Christopher Sly with monochrome precision, allowing viewers to appreciate every nuance conveyed through light and shadow. As we gaze upon this remarkable piece, it serves as a reminder not only of Shakespearean theater but also how art can transport us back through time to experience moments from centuries past.

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