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Metal Print : Attendance on a Nobleman, from The Vicar of Wakefield, May 1, 1817
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Attendance on a Nobleman, from The Vicar of Wakefield, May 1, 1817
Attendance on a Nobleman, from " The Vicar of Wakefield", May 1, 1817
Heritage Images features heritage image collections
Media ID 19985026
© Heritage Art/Heritage Images
Ackermann Ackermann R Ackermann Rudolph Coachman Goldsmith Goldsmith Oliver Horse Drawn Carriage Nobleman Oliver Oliver Goldsmith R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Servant Servants The Vicar Of Wakefield Thomas Rowlandson Aquatint Aristocrat Hand Tinted Horse Drawn Horse Drawn Vehicle Horsedrawn
16"x24" (61x41cm) Metal Print
Bring a touch of Regency-era charm to your home or office with our Media Storehouse Metal Print featuring Thomas Rowlandson's "Attendance on a Nobleman" from "The Vicar of Wakefield," published May 1, 1817. This exquisite image, obtained from Heritage Images, showcases a nobleman deep in conversation with a young boy, capturing the essence of 19th-century English society. Our high-quality metal print is not only a beautiful work of art but also a durable and modern way to display it. The vibrant colors and exceptional clarity of the print are enhanced by the sleek, rust-resistant metal surface. Elevate your space with this timeless piece of art history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This vibrant and captivating print, titled "Attendance on a Nobleman, from The Vicar of Wakefield, May 1,1817" transports us back to the aristocratic world of early 19th century Britain. Created by the talented artist Thomas Rowlandson and published by Rudolph Ackermann, this hand-colored aquatint captures a scene filled with elegance and opulence. In the foreground of the image, we see a horse-drawn carriage gracefully gliding along a country road. The coachman skillfully guides the horses as they pull their noble passenger towards his destination. Dressed in lavish attire befitting his status, the nobleman exudes an air of authority and importance. Surrounding this central figure are several servants diligently attending to their duties. Their presence highlights not only the wealth and power of their master but also serves as a reminder of social hierarchy during this time period. Each servant is meticulously depicted with intricate details that showcase their individual roles within this elaborate system. The color palette chosen for this print adds depth and richness to every element portrayed. From the vibrant green landscape to the vividly colored garments worn by both noblemen and servants alike, each hue enhances our understanding of life in early 19th century Britain. As we gaze upon this remarkable piece from The Metropolitan Museum of Art's collection, we are transported into an era defined by class distinctions and societal norms. It serves as a visual reminder that art has always been instrumental in capturing moments in history while
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