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Metal Print : The Assault and Taking of Seringapatam, 1801 (1909). Artist: Anthony Cardon
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The Assault and Taking of Seringapatam, 1801 (1909). Artist: Anthony Cardon
The Assault and Taking of Seringapatam, 1801 (1909). After Henry Singleton (1766-1839). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]
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Media ID 14982763
© The Print Collector
Advancing Anthony Antoine Antoine Cardon Arm Raised Assault British Military Prints Cardon Henry Henry Singleton Injured Injury Karnataka Killing Nevill Ralph Ralph Nevill Seringapatam Singleton Srirangapatna Srirangapattana The Connoisseur Violence Violent Anthony Cardon Battlefield
16"x20" (51x41cm) Metal Print
Bring history to life with our Media Storehouse Metal Prints featuring the iconic image "The Assault and Taking of Seringapatam, 1801 (1909)" by Anthony Cardon. This captivating print, inspired by Henry Singleton's original work, is taken from "British Military Prints" by Ralph Nevill, published in The Connoisseur, London, 1909. Each Metal Print is meticulously crafted with vibrant colors and sharp details, ensuring a stunning and durable piece of art for your home or office. Immerse yourself in the rich history of this pivotal moment in time as you display this beautiful work of art on your walls.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this print, titled "The Assault and Taking of Seringapatam, 1801" artist Anthony Cardon masterfully captures a pivotal moment in history. The scene depicts the intense battle that took place during the British military campaign in India. With an air of violence and chaos, the image showcases a crowd of determined soldiers advancing towards their enemy on the battlefield. Men from Britain's armed forces can be seen wielding swords and other weapons as they engage in fierce combat. Their gestures convey both aggression and determination to overcome their opponents. Amidst the smoke-filled atmosphere, one man stands out with his raised arm gesturing commandingly. This print is a powerful representation of warfare in the early 19th century, showcasing not only the brutality but also highlighting themes of bravery and sacrifice. It serves as a reminder of the human cost associated with military conflicts. "The Assault and Taking of Seringapatam" is part of Ralph Nevill's collection titled "British Military Prints". Published in 1909 by The Connoisseur magazine, this engraving by Antoine Cardon pays homage to Henry Singleton's original work from 1801. With its monochrome aesthetic, this historical artwork transports viewers back to a time when battles were fought with swords rather than modern weaponry. It offers us a glimpse into an era defined by conflict while simultaneously celebrating artistic expression through printmaking techniques.
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