Metal Print : The Armour of the Bishop of Beauvais presented to the Pope by order of Richard I, 1773

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The Armour of the Bishop of Beauvais presented to the Pope by order of Richard I, 1773

The Armour of the Bishop of Beauvais presented to the Pope by order of Richard I, 1773. KIng Richard I of England (1157-1199) returns the armour of the Bishop de Beauvais (1158-1217) to Pope Celestine III (c1106-1198) with a message he had put on the armour of a solidier instead of the habit of a priest. After Samuel Wale (1721-1786). From " A New and Complete History of England, From the Earliest Period of Authentic Intelligence to the Present Time", by Temple Sydney. [J. Cooke, London, 1773]

Heritage Images features heritage image collections

Media ID 19064053

© The Print Collector/Heritage Images

Bishop Coeur De Lion Cooke Frame J Cooke King Of England King Of England Lionheart King Richard I New And Complete History Of England Oc E No Philippe Pope Presented Presenting Prisoner Returning Richard Coeur De Lion Richard I Richard L Richard The Lionheart Samuel Samuel Wale Sydney Sydney Temple Wale Roman Catholicism Titled

16"x24" (61x41cm) Metal Print

Bring history to life with our stunning Media Storehouse Metal Prints featuring the Armour of the Bishop of Beauvais, a remarkable artifact presented to the Pope by King Richard I of England in 1773. This intricately detailed armor, originally belonging to Bishop Odo of Beauvais (1158-1217), showcases the grandeur and power of the Middle Ages. Each Metal Print is meticulously crafted to capture the essence of this historical treasure, transforming your space into a captivating museum. Embrace the richness of the past with this exquisite piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cats (Wild) > Lion

> Arts > Artists > K > Samuel King

> Arts > Artists > R > Roman Roman

> Arts > Artists > W > Samuel Wale

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

EDITORS COMMENTS
This print depicts a significant historical moment: the presentation of the Armour of the Bishop of Beauvais to Pope Celestine III by order of King Richard I in 1773. The image showcases an engraving created by Samuel Wale, capturing this remarkable event from both the 12th and 18th centuries. Intriguingly, King Richard I, also known as Richard Coeur de Lion or Richard the Lionheart, returns the armor to Pope Celestine III with a message he had placed on it instead of traditional priestly attire. This symbolic gesture highlights a clash between religion and military power during that era. The composition portrays a group scene within an elegant interior setting. The bishop kneels before Pope Celestine III while surrounded by men who are likely part of their entourage. The attention to detail in this monochrome illustration is exquisite; every decorative element is meticulously depicted, enhancing its historic charm. This artwork originated from "A New and Complete History of England" written by Temple Sydney in 1773. It offers viewers a glimpse into English history through artful storytelling and visual representation. With its rich historical context and artistic finesse, this print serves as a fascinating reminder of past events that shaped our present-day understanding of religion, politics, and culture.

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