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Metal Print : Alloway Kirk, Tam o Shanter, 1844. Creator: Unknown

Alloway Kirk, Tam o Shanter, 1844. Creator: Unknown



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Alloway Kirk, Tam o Shanter, 1844. Creator: Unknown

Alloway Kirk, Tam o Shanter, 1844. The ruins of Alloway Auld Kirk, which dates back to the 16th century, near Alloway in Scotland. It is the scene of the witches dance in the poem " Tam o Shanter" by Robert Burns. " The auld haunted kirk", with its little enclosed burying-ground, directly skirts the road. The four walls unroofed, remain around the enclosure in which Tam saw " The dead in their last dresses", the winnock bunker in the east, " where sate the enemy" is a conspicuous feature, being a small window, divided by a thick mullion; marks of other openings may be detected, more of them being closed up, through which the hero obtained glimpses of the unhallowed rites performed by " witches and warlocks" as preliminaries to the dance. From " Illustrated London News", 1844, Vol I

Heritage Images features heritage image collections

Media ID 20369979

© The Print Collector/Heritage Images

Alloway Ayrshire Bard Of Ayrshire Burns Burns Robert Cemetery Graveyard Ploughman Poet Poem Rabbie Burns Robbie Burns Robert Burns Tam O Shanter Black And


16"x24" (61x41cm) Metal Print

Bring the historic charm of Alloway Kirk, Tam o' Shanter into your home with our Media Storehouse Metal Prints. This beautiful, vintage image of the ruins of Alloway Auld Kirk, dating back to the 16th century, near Alloway in Scotland, captures the rich history and timeless beauty of Scotland. Our high-quality metal prints are printed directly onto a lightweight aluminum sheet, ensuring vibrant colors and long-lasting durability. Add this unique and captivating piece to your decor and transport yourself to the enchanting landscapes of Scotland.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Insects > Butterflies > Black Witch

> Arts > Artists > B > Robert Burns

> Arts > Artists > W > Robert White

> Arts > Dance

> Arts > Literature

> Europe > United Kingdom > England > London > Art > Dance

> Europe > United Kingdom > Scotland > Ayrshire

> Europe > United Kingdom > Scotland > Dance

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images


EDITORS COMMENTS
This print captures the haunting beauty of Alloway Kirk, a ruined church located near Alloway in Scotland. Dating back to the 16th century, this ancient site holds great significance as it is the setting for the witches' dance in Robert Burns' famous poem "Tam o Shanter". The image showcases the four walls of the unroofed kirk that surround an enclosed burying-ground. One can still see remnants of other openings, some closed up, through which Tam witnessed eerie unhallowed rites performed by witches and warlocks before their enchanting dance. The photograph, taken in 1844 and featured in Illustrated London News at that time, transports us back to a bygone era. Its monochromatic tones lend an air of mystery and nostalgia to this historical landmark. As we gaze upon this scene captured by an unknown creator from centuries past, we are reminded of Burns himself - Scotland's beloved ploughman poet whose verses continue to resonate with readers worldwide. Alloway Kirk stands as a testament not only to Scottish literature but also to its rich religious heritage. This image invites contemplation on themes such as death, spirituality, and Christian beliefs prevalent during that period. It serves as a window into both history and artistry while preserving the essence of this iconic location forever within its frame.

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