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Metal Print : An Allegory of the Vanities of Human Life, c. 1640. Artist: Steenwijck, Harmen (1612-1656)
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An Allegory of the Vanities of Human Life, c. 1640. Artist: Steenwijck, Harmen (1612-1656)
An Allegory of the Vanities of Human Life, c. 1640. Found in the collection of the National Gallery, London
Heritage Images features heritage image collections
Media ID 14898850
© Fine Art Images
Abundance Affluence Barock Cornucopia Death Symbols Depts Eternity Futility Life And Death Luxuriancy Memento Mori Money Opulence Prosperity Riche Riches Richness Sinful Skull Stinginess Transience Vain Vanitas Vanity Wealth Wealthiness
16"x20" (51x41cm) Metal Print
Experience the timeless beauty and intrigue of Harmen Steenwijck's masterpiece, "An Allegory of the Vanities of Human Life," now available as a stunning Metal Print from Media Storehouse. This exquisite 17th-century artwork, held in the esteemed collection of the National Gallery in London, invites you to ponder the fleeting nature of worldly pleasures. The rich, vibrant colors and intricate details of this allegorical painting are brilliantly captured in our premium Metal Prints, ensuring a museum-quality display in your home or office. Elevate your space with this thought-provoking and visually captivating work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Still life artwork
> Still life paintings
> Arts
> Realistic drawings
> Still life artwork
> Oil paintings
> Arts
> Realistic drawings
> Still life drawings
> Life drawings
EDITORS COMMENTS
This print showcases "An Allegory of the Vanities of Human Life" painted by Harmen Steenwijck in 1640. The artwork, currently housed in the National Gallery, London, is a profound representation of wealth and its transient nature. In this baroque masterpiece, Steenwijck skillfully combines various symbols to convey his message. A stack of books and a luxurious painting symbolize affluence and prosperity, while an abundance of riches spills out from a cornucopia. However, amidst this opulence lies a stark reminder of mortality - a skull placed prominently on the table. The artist's intention becomes clear as he explores themes such as vanity, futility, and sinfulness. Through meticulous detail and fine artistry with oil on wood technique, Steenwijck invites viewers to contemplate life's transience and the emptiness that accompanies materialistic pursuits. "Memento mori". Latin for "remember death" is at the heart of this composition. It serves as a powerful reminder that no matter how much wealth one accumulates during their lifetime, it ultimately holds no value in eternity. Steenwijck's work challenges our obsession with worldly possessions and urges us to seek meaning beyond materialism. This thought-provoking still life captures both the allure and hollowness inherent in pursuing riches alone. As we gaze upon this remarkable piece by Harmen Steenwijck, we are reminded that true richness lies not in amassing wealth but rather in embracing
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