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Metal Print : The Last Act of the Italian Drama, 1861

The Last Act of the Italian Drama, 1861



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The Last Act of the Italian Drama, 1861

The Last Act of the Italian Drama, 1861. The final act of the ongoing problems surrounding the unification of Italy. King Victor Emmanuel II on the left and Napoleon on the right. In the background are Pope Pius IX and his band of brigands. The setting is a theatre and the curtain is just about to rise. From Punch, or the London Charivari, September 21 1861

Heritage Images features heritage image collections

Media ID 14829337

© The Print Collector / Heritage-Images

Bonaparte Charles Louis Napoléon Charles Louis Napoleon Bonaparte Emperor Napoleon Iii Epaulette Epaulettes Heritage Image Partnership Impatient Louis Napoleon Napoleon Bonaparte Iii Napoleon Iii Pope Pope Pius Ix Sash Unification Unification Of Italy Waiting Roman Catholicism


16"x20" (51x41cm) Metal Print

Experience the historical significance of The Last Act of the Italian Drama, 1861 with our Media Storehouse Metal Prints. This iconic image captures a pivotal moment in Italian history, with Napoleon Bonaparte III and Pope Pius IX joining forces with King Victor Emmanuel II to bring about the unification of Italy. Our high-quality metal prints bring vibrant colors and stunning detail to your space, making this historical masterpiece a conversation starter in any room. Order now and relive the rich history of Italy through this beautiful and timeless piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Monarchs > Black Faced Monarch

> Arts > Artists > C > King Charles

> Arts > Artists > L > Louis IX Louis IX

> Arts > Artists > R > Roman Roman

> Arts > Artists > W > Charles White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Royalty

> Europe > Italy > Politics

> Europe > Italy > Related Images


The Last Act of the Italian Drama, 1861

EDITORS COMMENTS
captures a pivotal moment in Italy's unification process. In this historical print, we see King Victor Emmanuel II and Napoleon Bonaparte III standing on opposite sides of the stage, representing their respective roles in shaping Italy's destiny. The tension is palpable as they await the curtain to rise. In the background, Pope Pius IX and his band of brigands add an intriguing layer to this political theater. Their presence symbolizes the influence of Catholicism and its complex relationship with Italian politics at that time. The setting itself, a theatre, serves as a metaphor for the dramatic nature of these events unfolding before our eyes. It highlights how politics can often resemble a performance where actors play their parts on a grand stage. The black and white cartoon-like style adds satire to this engraving, allowing us to view these powerful figures through a humorous lens. We observe King Victor Emmanuel II's distinguished appearance with his moustache and sash contrasting against Napoleon Bonaparte III's impatient expression. This image offers us insight into 19th-century Italy during its struggle for unification. It reminds us that history is not just about dates and facts but also about human drama played out by individuals who shaped nations.

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