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Metal Print : Old soda water machine within Chernobyl exclusion zone
Metal Prints from Fine Art Storehouse
Old soda water machine within Chernobyl exclusion zone
The Soviet model of soda water machine was left following the Chernobyl accident. Machine was almost new 30 years ago and now its fully rusted. Empty drinking glass is still on their place
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by Edward Neyburg
Media ID 19054777
16"x24" (61x41cm) Metal Print
Step into the past with this captivating Metal Print from Edward Neyburg's collection at Media Storehouse, Fine Art Storehouse. Witness the haunting beauty of an abandoned Soviet-era soda water machine, discovered within the Chernobyl Exclusion Zone. Once a symbol of everyday life, this almost new machine now stands frozen in time, fully rusted and weathered by the elements. The empty drinking glass, a poignant reminder of the people who once used it, adds an intriguing layer to this evocative image. Bring the history and mystery of Chernobyl into your home or office with this unique and thought-provoking Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Fine Art Storehouse
> Architecture
> Derelict Buildings
> Eerie, Haunting, Abandon, Chernobyl
> Animals
> Mammals
> Muridae
> Water Mouse
EDITORS COMMENTS
This print captures the haunting remnants of a bygone era within the desolate Chernobyl exclusion zone. Standing proudly amidst the eerie silence, an old Soviet soda water machine serves as a poignant reminder of a time frozen in decay. Once gleaming with promise and modernity, this machine now stands fully rusted, its vibrant colors faded to shades of abandonment. The passage of 30 years has not been kind to this relic from the past. Yet, it still bears witness to the tragic events that unfolded in this ghost city many decades ago. A stark contrast is revealed as an empty drinking glass remains untouched on its designated spot - a testament to interrupted lives and shattered dreams. Edward Neyburg's keen eye for detail brings forth both beauty and melancholy in equal measure through his lens. The composition draws us into this forgotten space, inviting us to reflect upon the fragility of human existence and the lasting impact of catastrophic events. As we gaze at this photograph, we are transported back in time; we can almost hear whispers echoing through these abandoned streets. It serves as a powerful reminder that even amid devastation, traces of humanity endure – symbols like this soda water machine silently tell stories that demand our attention and remembrance. Through Fine Art Storehouse's exquisite print reproduction techniques, Neyburg's work allows us to bring home not just an image but also emotions captured within each frame – evoking contemplation about our own place in history and how fragile our creations truly are.
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