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Metal Print : The Vindication of Christmas, 1653 (woodcut and letterpress)
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The Vindication of Christmas, 1653 (woodcut and letterpress)
XJF488981 The Vindication of Christmas, 1653 (woodcut and letterpress) by English School, (17th century); Private Collection; (add.info.: English early modern pamphlet lamenting the abolishment of Christmas by the puritanical government. The central figure of Father Christmas proclaims " O Sir, I bring good cheere" while the roundhead soldier warns him to " Keep out, you come not here." The countryman on the otherhand is saying " Old Christmas welcome; Do not fear." The pamphlet also goes on to lampoon taxes and oppressive government. ); English, out of copyright
Media ID 12915001
© www.bridgemanart.com
Abolished Commonwealth Of England Countryman Criticism Early Modern Father Christmas Lampoon Lampooning Oppression Puritanical Rustic Taxes Bumpkin Vindication
16"x20" (51x41cm) Metal Print
Bring the rich history and intrigue of the 17th century to your home or office with Media Storehouse's Metal Prints. This exquisite piece, "The Vindication of Christmas, 1653" (XJF488981) from Bridgeman Art, showcases the English School's masterful woodcut and letterpress technique. This timeless artwork, which is part of a private collection, adds depth and character to any space. Our high-quality Metal Prints are not only visually stunning but also durable and long-lasting, ensuring that this historical treasure remains a conversation starter for years to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Vindication of Christmas, 1653
EDITORS COMMENTS
is a captivating woodcut and letterpress print from the 17th century that offers a glimpse into the political and social climate of early modern England. This intriguing artwork depicts Father Christmas as the central figure, boldly proclaiming "O Sir, I bring good cheer" while being confronted by a stern roundhead soldier warning him to stay away. However, amidst this tension, a countryman stands defiantly declaring "Old Christmas welcome; Do not fear". This print serves as an English early modern pamphlet lamenting the abolishment of Christmas by the puritanical government. It cleverly uses satire and lampooning to criticize taxes and oppressive governance during that time. The image captures both the spirit of celebration embodied by Father Christmas and the resistance shown by ordinary people against such restrictions. The intricate details in this woodcut are mesmerizing - from Father Christmas' jovial expression to the soldier's stern countenance. The rustic charm exuded by these characters adds depth to their roles in this political commentary. "The Vindication of Christmas" is not just a historical artifact but also an artistic representation of defiance against authority. It reminds us that traditions have always been important for communities throughout history, even when faced with suppression. This remarkable piece invites viewers to reflect on how power dynamics shape society and how individuals find ways to resist oppression through cultural symbols like Father Christmas.
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