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Metal Print : British Influence among the Natives in South Africa, a Wedding in Native High Life in Zululand (litho)
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British Influence among the Natives in South Africa, a Wedding in Native High Life in Zululand (litho)
1043171 British Influence among the Natives in South Africa, a Wedding in Native High Life in Zululand (litho) by Dadd, Frank (1851-1929) (after); Private Collection; (add.info.: British Influence among the Natives in South Africa, a Wedding in Native High Life in Zululand. Illustration for The Graphic, 14 October 1899.); Look and Learn / Illustrated Papers Collection; English, out of copyright
Media ID 23026800
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
16"x20" (51x41cm) Metal Print
Experience the rich cultural fusion of British influence and native traditions in this stunning lithographic print, "British Influence among the Natives in South Africa, a Wedding in Native High Life in Zululand" by Frank Dadd. This captivating piece, published by Bridgeman Images from Fine Art Finder (1043171), offers a glimpse into the vibrant world of Zululand's high life during the late 19th century. The intricate details and bold colors are brought to life through our premium Metal Prints, ensuring a stunning and long-lasting addition to your home or office decor. Embrace history and artistry with this unique and thought-provoking piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This lithograph, titled "British Influence among the Natives in South Africa, a Wedding in Native High Life in Zululand" offers a fascinating glimpse into the cultural exchange between British settlers and native communities during the late 19th century. Created by Frank Dadd and published in The Graphic on October 14,1899, this print showcases a wedding ceremony that exemplifies the blending of British influence with traditional Zulu customs. The scene is filled with vibrant colors and intricate details, capturing the essence of this momentous occasion. The bride and groom stand at the center of attention, adorned in traditional attire embellished with elements inspired by British fashion trends. Surrounding them are members of their community, also dressed elaborately to celebrate this joyous event. Through this artwork, Dadd highlights how colonialism impacted indigenous cultures while simultaneously acknowledging their resilience and ability to adapt. It serves as a reminder that cultural exchange can be both enriching and complex. Now part of a private collection but made available through Bridgeman Images' Look and Learn / Illustrated Papers Collection, this engraving allows us to reflect upon history's nuances. It invites viewers to contemplate not only the beauty depicted within its frames but also encourages deeper conversations about power dynamics between colonizers and colonized peoples. As we observe this image from our present-day perspective, it prompts us to consider how far we have come since then while recognizing that there is still much work ahead towards achieving true equality and understanding among diverse cultures worldwide
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