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Metal Print : General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before) from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 (colour litho) (see also 103914)
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General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before) from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 (colour litho) (see also 103914)
STC103913 General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before) from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 (colour litho) (see also 103914) by Repton, Humphry (1752-1818); Private Collection; The Stapleton Collection
Media ID 27972984
© The Stapleton Collection / Bridgeman Images
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of 19th-century landscape gardening to your home with our Media Storehouse Metal Prints. This exquisite piece, featuring the General View from the South and East Fronts of the Cottage at Endsleigh, Devon (Before), is taken from Bridgeman Images' Fragments on the Theory and Practice of Landscape Gardening, published in 1816. The vibrant colors and intricate details of this color lithograph are brilliantly showcased on our high-quality metal prints, creating a stunning and durable work of art that is sure to be a conversation starter in any room. Add a touch of history and elegance to your decor with this captivating print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the enchanting beauty of the Cottage at Endsleigh in Devon, as seen from its south and east fronts. Taken before any alterations were made to its landscape, this image is a testament to the timeless allure of nature's untouched splendor. The vibrant colors brought to life through lithography transport us back to 1816 when Humphry Repton's renowned book "Fragments on the Theory and Practice of Landscape Gardening" was published. This publication revolutionized garden design, making Repton one of England's most influential landscape architects. In this scene, we are treated to a general view that showcases not only the cottage but also its surrounding elements. A picturesque river meanders gracefully through the frame, reflecting the serene sky above. The Duchess of Bedford herself must have found solace in these tranquil surroundings. A charming terrace adorned with delicate flowers adds an element of elegance and refinement to this idyllic setting. It invites visitors to pause and immerse themselves in nature's embrace while enjoying breathtaking views. This print serves as a window into history, allowing us to appreciate both Repton's visionary approach and the enduring appeal of landscapes carefully crafted by human hands alongside Mother Nature herself. As we gaze upon this masterpiece captured by Bridgeman Images, we can't help but be transported into a world where time stands still, inviting us to explore our own connection with nature's boundless wonders.
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