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Metal Print : September 1854 On the March, Crimea, 1854 circa (pen and ink and watercolour )
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September 1854 On the March, Crimea, 1854 circa (pen and ink and watercolour )
5920801 September 1854 On the March, Crimea, 1854 circa (pen and ink and watercolour ) by Colville, William James (1827-1903); National Army Museum, London; (add.info.: September 1854 On the March, Crimea, 1854 circa.
Pen and ink and watercolour by Captain (later Colonel) The Honourable William James Colville (1827-1903), Rifle Brigade, 1854 circa
The march from Kalamita Bay to Sevastopol proved a testing one for the British soldier. Men died in their hundreds from cholera. The landscape was parched and water scarce. As Colvilles drawing shows, it not take long for the soldier to adapt his dress to the conditions. The hated leather stock was discarded. Cast aside too was the Albert shako, to be replaced by the Kilmarnock bonnet, a soft forage cap.); © National Army Museum
Media ID 25184964
© National Army Museum / Bridgeman Images
16"x24" (61x41cm) Metal Print
Bring historical artistry into your home with Media Storehouse's Metal Prints. Featuring the evocative pen and ink and watercolour work, September 1854 On the March, Crimea, 1854 circa by William James Colville. This captivating image, sourced from Bridgeman Images and the Fine Art Finder, transports you back to the Crimean War era. Each Metal Print is meticulously crafted, preserving the intricate details and vibrant colours of the original artwork. Add a touch of history and elegance to your space with this stunning piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "September 1854 On the March, Crimea" captures a significant moment in history during the Crimean War. Created by Captain William James Colville, this pen and ink watercolour painting provides a glimpse into the challenging conditions faced by British soldiers during their march from Kalamita Bay to Sevastopol. In this artwork, we see how the soldiers had to adapt their dress to survive in such harsh circumstances. The landscape appears parched and barren, with water being scarce. As depicted by Colville, it didn't take long for the soldiers to discard their leather stocks and replace them with more practical attire. The despised Albert shako was replaced with the Kilmarnock bonnet, a softer forage cap that offered better comfort. This painting serves as a poignant reminder of the sacrifices made by these brave men who fought in difficult terrains while battling diseases like cholera. It showcases their resilience and ability to adapt amidst adversity. Preserved at the National Army Museum in London, this artwork not only documents an important historical event but also highlights Captain Colville's artistic talent. Through his meticulous brushstrokes and attention to detail, he brings alive an era long past. As viewers engage with this image, they are transported back in time to witness firsthand what life was like for those on the frontlines of war – marching relentlessly towards an uncertain future.
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