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Metal Print : Plate taken from a series of 12 engravings by William Hogarth (1697-1764)
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Plate taken from a series of 12 engravings by William Hogarth (1697-1764)
XEE4148346 Plate taken from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled " Industry and Idleness", " Zele and laziness" recounting the careers of two apprentices: Thomas Idle, guilty of his vices, was halted in a tavern in London, 1747 by Hogarth, William (1697-1764); Private Collection; (add.info.: Plate taken from a series of 12 engravings by William Hogarth (1697-1764), British illustrator, entitled " Industry and Idleness", " Zele and laziness" recounting the careers of two apprentices: Thomas Idle, guilty of his vices, was halted in a tavern in London, 1747); Stefano Bianchetti; English, out of copyright
Media ID 23708648
© Stefano Bianchetti / Bridgeman Images
Arrest Bistro Capital Sins Gambling Laziness Made Various Miscellaneous Facts Vice
16"x20" (51x41cm) Metal Print
Bring a piece of historical art into your modern home with Media Storehouse's Metal Prints. Featuring the iconic Plate from William Hogarth's "Industry and Idleness" series, this metal print showcases the engraving by Stefano Bianchetti from Fine Art Finder (XEE4148346). With vibrant colors and exceptional detail, this metal print adds a touch of timeless beauty and intrigue to any space. Experience the rich history of British illustration with this stunning reproduction.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This print showcases a plate taken from a series of 12 engravings by the renowned British illustrator, William Hogarth. Titled "Industry and Idleness" or "Zele and Laziness" these engravings vividly narrate the contrasting journeys of two apprentices: Thomas Idle, consumed by his vices, and an industrious counterpart. In this particular scene captured in London in 1747, Hogarth masterfully portrays Thomas Idle's downfall as he is apprehended in a bustling tavern. The intricate details of this engraving draw you into the scene, allowing you to witness the consequences of idleness firsthand. The composition skillfully captures the essence of 18th-century England with its depiction of various characters engaged in gambling games at the bistro. Through his artistry, Hogarth sheds light on capital sins such as laziness and vice that plagued society during this era. Stefano Bianchetti has beautifully preserved this historical artwork through his photography, offering us a glimpse into Hogarth's remarkable talent as an engraver. This print serves as a testament to both artists' dedication to capturing human nature through their respective mediums. As we delve into this mesmerizing image, we are reminded not only of our past but also how art can transcend time and continue to captivate audiences today.
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