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Metal Print : Barranca, 1685 (bound sheet)

Barranca, 1685 (bound sheet)



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Barranca, 1685 (bound sheet)

7339754 Barranca, 1685 (bound sheet) by Hack, William (17th Century); 40x50 cm; National Maritime Museum, London, UK; (add.info.: Creator: William Hack
South America, the Pacific Coast and Peru. Bound in A Wagoner of the South Sea describing the sea coast from Acapulco to Albemarle isle, an English translation of a Spanish derrotero captured from the Spanish ship Rosario by Captain Bartholomew Sharpe in 1680. Hack made multiple copies of this atlas. This one was presented to James II. It shows Sharpe's track, depicts the silver mine at Potosi, has a decorated title cartouche and scale.); © National Maritime Museum, Greenwich, London

Media ID 38288568

© © National Maritime Museum, Greenwich, London / Bridgeman Images

Coast Line Latin America Peru Peru Peruvian Peruvian Peruvian Culture Peruvians Latine America


16"x20" (51x41cm) Metal Print

Unleash the power of metal prints with Media Storehouse! Our range features stunning images from Bridgeman Images' Fine Art Finder collection. This striking piece, 'Barranca, 1685 (bound sheet)' by William Hack, captures a moment in time as it was first recorded over 300 years ago. With its unique blend of history and artistry, this metal print is sure to make a statement in any room.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > William James

> Europe > Spain > Maps

> Europe > Spain > Posters

> Europe > United Kingdom > England > London > Boroughs > Greenwich

> Europe > United Kingdom > England > London > Museums > Greenwich Heritage Centre

> Europe > United Kingdom > England > London > Museums > National Maritime Museum

> Europe > United Kingdom > England > London > Towns > Greenwich

> Europe > United Kingdom > Heritage Sites > Maritime Greenwich

> Europe > United Kingdom > Maps

> Maps and Charts > Americas


EDITORS COMMENTS
This stunning print of Barranca, 1685 by William Hack transports us back to the 17th century and the age of exploration. The intricate details captured in this bound sheet offer a glimpse into South America, specifically the Pacific Coast and Peru. Bound within 'A Wagoner of the South Sea', an English translation of a Spanish derrotero captured from the Spanish ship 'Rosario' by Captain Bartholomew Sharpe in 1680, this piece holds historical significance. William Hack's meticulous cartography showcases Sharpe's track along with depictions of the silver mine at Potosi. The decorated title cartouche and scale add to the overall beauty and complexity of this work. Presented to James II, this particular copy is housed at the National Maritime Museum in London. The vibrant colors used in this drawing bring life to the coastlines depicted, allowing viewers to immerse themselves in a maritime journey through time. This piece not only serves as a map but also as a work of art that captures the essence of South American culture during that period. As we gaze upon Barranca, 1685, we are reminded of the rich history and exploration that shaped our world centuries ago. It stands as a testament to human curiosity and ingenuity in discovering new lands and cultures beyond our own shores.

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