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Metal Print : The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper)
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The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper)
7308544 The Fool Studying Useless Arts, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28385184
© Ashmolean Museum / Bridgeman Images
Belittling Court Jester Derides Derision Foolery Jester Joker Make Fun Of Mockery Scoff Vice Virtue Virtues Virtuous Swissman
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features "The Fool Studying Useless Arts," a captivating work by Wilhelm Stettler from Bridgeman Images. Originally created in brush and Indian ink on paper around 1660-86, this artwork is now available in a modern, durable metal print. The vibrant colors and stunning detail are sure to impress, making it a perfect addition to any room in your home or office. With a focus on preserving the authenticity and richness of the original artwork, each Metal Print is coated with a protective layer to prevent fading and ensure long-lasting enjoyment. Elevate your space with the masterful strokes of Wilhelm Stettler, now more accessible than ever.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Fool Studying Useless Arts
EDITORS COMMENTS
is a captivating print that captures the essence of folly and mockery in 17th-century Europe. Created by Wilhelm Stettler, a Swiss artist known for his intricate brushwork, this piece showcases the talent and wit of its creator. In this black and white illustration, we see a court jester engrossed in studying what appears to be useless arts. The joker's exaggerated gestures and comical expression highlight the derision and belittling nature of his actions. Stettler's attention to detail is evident in every stroke of Indian ink on laid paper, bringing life to the fool's character. The juxtaposition between virtue and vice is also apparent as the fool indulges in frivolous pursuits while surrounded by symbols representing virtuous qualities. This contrast adds depth to the artwork, inviting viewers to reflect on their own choices and priorities. Displayed at the Ashmolean Museum at the University of Oxford, this work exemplifies Stettler's mastery as an artist during early 17th century Europe. Its small size allows for an intimate viewing experience that draws you into the world of jesters and their role in society. "The Fool Studying Useless Arts" serves as a reminder that even within art itself, there can be layers of meaning waiting to be discovered. It invites us to question our own follies while appreciating Stettler's skillful execution in capturing both humor and critique through his brushstrokes.
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