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Metal Print : Iconoclasts throwing miniature manuscripts into the fire. 14th century manuscript

Iconoclasts throwing miniature manuscripts into the fire. 14th century manuscript



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Iconoclasts throwing miniature manuscripts into the fire. 14th century manuscript

GIA4815146 Iconoclasts throwing miniature manuscripts into the fire. 14th century manuscript. by Unknown Artist, (14th century); Biblioteca Trivulziana, Milan, Italy; (add.info.: Iconoclasts throwing miniature manuscripts into the fire. 14th century manuscript.); eGiancarlo Costa; out of copyright

Media ID 22290508

© Giancarlo Costa / Bridgeman Images

Anarchism Censorship Iconoclast Late Natural Elements 4 Self Daffed


16"x20" (51x41cm) Metal Print

Step into the turbulent past with Media Storehouse's Metal Prints featuring the evocative image of Iconoclasts, as they defy tradition by casting miniature manuscripts into the flames. This 14th-century masterpiece, copyrighted by Giancarlo Costa from Fine Art Finder (GIA4815146), offers a captivating glimpse into the tumultuous era of religious upheaval. Each Metal Print is meticulously crafted to bring out the intricate details of this Unknown Artist's work, preserving its historical significance and artistic beauty for generations to come. Embrace the power of this powerful and thought-provoking image, and elevate your space with a unique and inspiring piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Related Images

> Europe > Italy > Lombardy > Milan


EDITORS COMMENTS
This print captures a significant moment in history, depicting iconoclasts throwing miniature manuscripts into a blazing fire. Created by an unknown artist during the 14th century, this manuscript from the Biblioteca Trivulziana in Milan, Italy offers a glimpse into a tumultuous period of censorship and religious upheaval. The image portrays an act of defiance against established norms and beliefs. The iconoclasts' actions symbolize their rejection of traditional authority and their desire to challenge the power structures that controlled knowledge dissemination during that time. The delicate illumination work on these miniature manuscripts adds another layer of complexity to this artwork. It highlights the craftsmanship and artistry involved in creating such intricate pieces despite their eventual destruction. Intriguingly, this photograph also hints at themes beyond religion and censorship. Elements like anarchism and self-daffed (self-defiance) suggest broader societal tensions prevalent during the Late Middle Ages. Giancarlo Costa's expert capture brings out the natural elements surrounding this historical event, enhancing its visual impact. Through his lens, we are transported back to an era where ideas were fiercely contested, challenging us to reflect on our own relationship with authority and freedom of expression today.

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