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Metal Print : "Milk below Maids", plate 2 of The Cries of London
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"Milk below Maids", plate 2 of The Cries of London
NP125762 " Milk below Maids", plate 2 of The Cries of London, engraved by Luigi Schiavonetti (1765-1810), pub. by Colnaghi & Co. 1793 (stipple engraving) by Wheatley, Francis (1747-1801) (after); 34.3x27.3 cm; Private Collection; English, out of copyright
Media ID 23367416
© Bridgeman Images
Churn Laitiere Milkmaid Pail Selling Urchins Yoke Seller
16"x20" (51x41cm) Metal Print
Bring the haunting beauty of history into your home with our Media Storehouse Metal Print of "Milk below Maids," plate 2 from The Cries of London by Bridgeman Images. This exquisite engraving, published by Colnaghi & Co and created by Luigi Schiavonetti in 1796, captures the poignant scene of milk vendors in the bustling streets of 19th century London. Our high-quality metal print is not only a stunning work of art but also a durable and modern way to display it. The vivid colors and exceptional detail will captivate you, making it a perfect addition to any room in your house. Experience the rich history and timeless charm of this iconic image with our Metal Print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Milk below Maids" transports us back to the bustling streets of London in the late 18th century. Engraved by Luigi Schiavonetti and published by Colnaghi & Co. in 1793, this stipple engraving captures a poignant scene from everyday life. In the foreground, we see a young milkmaid gracefully balancing a yoke across her shoulders, laden with two heavy pails of fresh milk. Her face reflects determination as she navigates through the crowded street, calling out her cry to attract customers. The artist, Francis Wheatley, skillfully portrays the poverty-stricken environment surrounding her. A group of street trader children gather around her, their faces etched with both curiosity and longing. They are captivated by the sight of creamy milk being sold before their eyes - a luxury they can only dream of tasting. A small churn sits nearby, symbolizing hard work and dedication that goes into producing this essential commodity. This engraving serves as a powerful reminder of social inequality during that era; where some could afford luxuries like fresh milk while others struggled to survive on meager means. It also highlights the resilience and resourcefulness of those who found ways to make ends meet amidst challenging circumstances. "Milk below Maids" is not just an exquisite piece of art but also an insightful glimpse into history – reminding us how far society has come since then while urging us not to forget those who still face similar struggles today.
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