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Metal Print : Perdito and Perdita - or - the Man & Woman of the People (litho)

Perdito and Perdita - or - the Man & Woman of the People (litho)



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Perdito and Perdita - or - the Man & Woman of the People (litho)

KW282176 Perdito and Perdita - or - the Man & Woman of the People (litho) by Colley, Thomas (fl.1780-83); Private Collection; (add.info.: satirical cartoon depicting the Prince of Wales (1762-1830) and his mistress, the actress Mrs Mary Robinson (1757-1800); suggests her extravagance has made him penniless; it was her role in Florizel and Perdita (David Garricks adaptation of Shakespeares A Winters Tale ) that brought her to his attention; I have not fifty ducats in the world & yet I am in love); English, out of copyright

Media ID 12795381

© www.bridgemanimages.com

Adultery Dishevelled Flamboyant In Love Lover Miserable Unshaven Whip Lovers Regency


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of Thomas Colley's 'Perdito and Perdita - or - the Man & Woman of the People' into your home with our Media Storehouse Metal Prints. This exquisite lithograph, sourced from Bridgeman Images through Fine Art Finder, showcases the captivating story of Perdita and Perdito, the man and woman of the people. The intricate details and vibrant colors of this classic work are brilliantly captured on metal, creating a stunning and durable piece of art that is sure to be a conversation starter in any room. Experience the rich history and emotion of this masterpiece, now available as a sleek and modern Metal Print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
The lithograph titled "Perdito and Perdita - or - the Man & Woman of the People" captures a satirical moment in history, depicting the Prince of Wales and his mistress, Mrs Mary Robinson. The image portrays a flamboyant open carriage with a disheveled and unshaven prince alongside an equally miserable actress. The caption suggests that Mrs Robinson's extravagant lifestyle has left the prince penniless. The artwork references their roles in David Garrick's adaptation of Shakespeare's "A Winter's Tale" where Mrs Robinson caught the attention of the prince. Despite their love for each other, financial difficulties plague them both as depicted by the phrase, "I have not fifty ducats in the world & yet I am in love". This Georgian-era print showcases themes of high maintenance, regency fashion, adultery, and palace life. It offers a glimpse into society's fascination with scandalous relationships during this time period. The artist Thomas Colley skillfully captures the essence of their tumultuous affair through intricate details such as their expressions and body language. This lithograph serves as a historical artifact shedding light on one aspect of royal life that was often hidden from public view. This particular print is part of a private collection but can be appreciated by all who are intrigued by artistry that combines satire with social commentary.

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