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Metal Print : Scene of cannibalism, from Americae Tertia Pars... 1592 (colour engraving)
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Scene of cannibalism, from Americae Tertia Pars... 1592 (colour engraving)
XIR164722 Scene of cannibalism, from Americae Tertia Pars... 1592 (colour engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes, France; (add.info.: 3rd Part of Grands Voyages ; report of a journey to Brazil; story of Hans Staden Captivity; ); Flemish, out of copyright
Media ID 12735000
© www.bridgemanimages.com
Cannibal Grill Grilling Practice Tribe Meat Eating Natives
16"x20" (51x41cm) Metal Print
Experience the intrigue and mystery of the past with our Media Storehouse Metal Print of 'Scene of Cannibalism' from Americae Tertia Pars... 1592. This captivating color engraving, created by Theodore de Bry in 1598, depicts a chilling scene of cannibalism as described in the third part of America by Guillaume de l'Isle. Add an element of historical intrigue to your home or office with this beautifully crafted metal print from Fine Art Finder, expertly reproduced from the original image held by the Service Historique de la Marine in Vincennes. Each metal print is made with the highest quality materials, ensuring a vibrant and long-lasting display. Bring the stories of the past to life with this unique and intriguing addition to your collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This and thought-provoking photo print, titled "Scene of Cannibalism" takes us back to a significant moment in history. Created by Theodore de Bry in 1592, this color engraving is part of the renowned series "Americae Tertia Pars" or "The Third Part of Grands Voyages". The image depicts a chilling scene from Hans Staden's captivity journey to Brazil. Intriguingly, the print showcases a tribal ritual among the Tupinambá Indians, where cannibalism was practiced. The composition focuses on an intense moment around a fire pit as these indigenous people engage in grilling and cooking human meat. It offers us a glimpse into their cultural practices and challenges our understanding of different customs prevalent during that era. The vivid colors used by de Bry add depth and realism to this historical representation. As we observe the Tupinambá tribe members gathered around the grill, we are compelled to reflect upon our own preconceived notions about civilization and morality. This remarkable artwork serves as both an educational tool and a reminder of humanity's diverse past. It encourages us to delve deeper into history while acknowledging that cultural practices can vary significantly across time and place. As we contemplate this powerful image captured centuries ago, let it ignite conversations about cultural relativism, colonial encounters, and the complexities inherent in studying different societies throughout history.
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