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Metal Print : Cover of " Les Corbeaux (Paris)", number 30, Satirique en N & B, 1905_10_22: Le sorcerer chez la chiromancienne - Anticlericalism - Separation of Church and State, laziness
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Cover of " Les Corbeaux (Paris)", number 30, Satirique en N & B, 1905_10_22: Le sorcerer chez la chiromancienne - Anticlericalism - Separation of Church and State, laziness
ICA4874298 Cover of " Les Corbeaux (Paris)", number 30, Satirique en N & B, 1905_10_22: Le sorcerer chez la chiromancienne - Anticlericalism - Separation of Church and State, laziness, Consequences des mesures laiques/Separation - Cures - Illustration by Non identifie; (add.info.: Cover of " Les Corbeaux (Paris)", number 30, Satirique en N & B, 1905_10_22: Le sorcerer chez la chiromancienne - Anticlericalism - Separation of Church and State, laziness, Consequences des mesures laiques/Separation - Cures - Illustration by Non identifie); Photo © Caricadoc
Media ID 38335590
© © Caricadoc / Bridgeman Images
Anticlericalism Anxiete Black Magic Clairvoyance Cup Of Coffee Future Laziness Occult Science Occultism Overweight Palmistry Parascience Physical Deformations Postures Prediction Spiritualism Witchcraft A Journal Caricadoc Religious Role
16"x20" (51x41cm) Metal Print
Here is a short product caption: "Add a touch of artistic flair to your space with our Metal Prints featuring iconic artwork from the Media Storehouse range. This stunning piece showcases 'Cover of "Les Corbeaux (Paris)"', number 30, Satirique en N & B, 1905_10_22: Le sorcerer chez la chiromancienne - Anticlericalism - Separation of Church and State, laziness' by Bridgeman Images from Fine Art Finder. A unique blend of artistry and metalwork creates a striking visual statement that's sure to impress.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking print captures the cover of "Les Corbeaux (Paris)" from October 22, 1905, featuring a satirical scene titled "Le sorcerer chez la chiromancienne." The illustration reflects themes of anticlericalism, separation of church and state, and laziness prevalent during that time period in France.
The image depicts a priest visiting a palm reader, symbolizing the clash between religious authority and secular beliefs. The artist uses caricature to highlight the absurdity of superstition and traditional practices in the face of modernization.
Through clever composition and attention to detail, the illustrator conveys a sense of tension between old world customs and new ideas. The priest's posture exudes anxiety while the chiromancer's confident hand gestures suggest power over fate.
This piece serves as a commentary on societal norms and challenges viewers to question their own beliefs about religion, spirituality, and progress. It is a reminder that change is inevitable, but not without consequences.
Overall, this historical artwork offers valuable insight into early 20th-century French culture and politics through its provocative imagery. It remains relevant today as we continue to grapple with issues of faith, tradition, and innovation.
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