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Metal Print : Cover of "The Laughter", Satirical in Colors
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Cover of "The Laughter", Satirical in Colors
ICA4862738 Cover of " The Laughter", Satirical in Colors, 1908_10_31: Ferdinand, Tras des Bulgarians or Bulgarians - War of 14 -18, Balkans, Bulgaria - Ferdinand of Bulgaria (1861-1948) Fancois Joseph I of Austria - Illustration by Charles Leandre (1862-1934) by Leandre, Charles (1862-1934); (add.info.: Cover of " The Laughter", Satirical in Colors, 1908_10_31: Ferdinand, Tras des Bulgarians or Bulgarians - War of 14 -18, Balkans, Bulgaria - Ferdinand of Bulgaria (1861-1948) Fancois Joseph I of Austria - Illustration by Charles Leandre (1862-1934)); Photo eCaricadoc; French, out of copyright
Media ID 23343902
© Caricadoc / Bridgeman Images
Balkans Bulgaria Bulgarian Francois Joseph I 1830 1916 Late Natural Elements 4 Ottoman Empire Woman Symbol A Journal Austria Austrian Caricadoc
16"x20" (51x41cm) Metal Print
Bring a burst of color and satire into your home or office with the Media Storehouse Metal Print featuring the cover of "The Laughter" by Bridgeman Images from Fine Art Finder. This iconic image, titled "Satirical in Colors, Ferdinand, Tras des Bulgarians or Bulgarians - War of 14-18, Balkans," dates back to 1908-10 and is a vibrant and thought-provoking addition to any space. Our high-quality metal prints are known for their durability and vivid colors, ensuring your artwork remains a stunning centerpiece for years to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the cover of "The Laughter", a satirical publication from 1908. The artwork, created by Charles Leandre, depicts an intriguing scene filled with symbolism and historical references. At the center of the illustration stands Ferdinand of Bulgaria, a prominent figure during the Balkans War of 1914-1918. He is accompanied by Francois Joseph I of Austria, highlighting their alliance during this tumultuous period. Leandre's artistic style shines through in this engraving, as he skillfully incorporates elements such as a helmet-wearing Bulgarian soldier and a skeleton representing death. The caricatured figures add a touch of humor to the piece while also conveying political commentary on the late Ottoman Empire. The composition exudes both elegance and complexity, with its intricate details and vibrant colors capturing viewers' attention. It serves as a testament to Leandre's talent in creating thought-provoking illustrations that transcend time. This photograph was captured by eCaricadoc and is now part of Bridgeman Images' collection. Its release into public domain allows us to appreciate not only Leandre's artistry but also gain insight into European history during the early 20th century. As we delve into this image, we are reminded that art has always been an avenue for expressing social criticism and reflecting upon significant events in our world's past.
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